König :

neu Händel-Variationen abgeschlossen 12. II. neu Préludes Gd, Hm; Walzer Em; Préludes Cd, Ad, Ed, Em, Fd, Bm; Walzer Gesd wiederholt; Beethoven op. 109 ganz. Theorie: Kontrapunkt bis zum mehrstimmigen Satz incl. 1

© Transcription Robert Kosovsky, 2007

König :

new Handel-Variations completed February 12. New: Preludes in G major, B minor; Waltz in E minor; Preludes in C major, A major, E major, E minor, F major, Bb minor; Waltz in Gb major revisited; Beethoven Op. 109 all. Theory: Counterpoint up to and including counterpoint in three and more voices. 1

© Translation Sigrun Heinzelmann, 2009

König :

neu Händel-Variationen abgeschlossen 12. II. neu Préludes Gd, Hm; Walzer Em; Préludes Cd, Ad, Ed, Em, Fd, Bm; Walzer Gesd wiederholt; Beethoven op. 109 ganz. Theorie: Kontrapunkt bis zum mehrstimmigen Satz incl. 1

© Transcription Robert Kosovsky, 2007

König :

new Handel-Variations completed February 12. New: Preludes in G major, B minor; Waltz in E minor; Preludes in C major, A major, E major, E minor, F major, Bb minor; Waltz in Gb major revisited; Beethoven Op. 109 all. Theory: Counterpoint up to and including counterpoint in three and more voices. 1

© Translation Sigrun Heinzelmann, 2009

Footnotes

1 Probably refers to Schenker’s Kontrapunkt . Schenker’s remark implies that König progressed past the first volume into materials of the second volume (subtitled Drei- und Mehrstimmiger Satz; Übergänge zum Freien Satz (Three- and More-voiced Counterpoint; Bridges to Free Composition). Schenker was teaching from his own unpublished materials for vol. II/2 of his series Neue Musikalische Theorien und Phantasien (eventually pubd Vienna: Universal Edition, 1922).