Hupka :

Beethoven op. 101 neu; Brahms: Konzert Bdur, neu, 1. Satz ganz; Kontrapunkt bis zum dreistimm. Satz 1 ; Beethoven op. 109, wiederholt; Haydn: Andante Fmoll 2 , neu; Chopin: Nocturne Esd (op. 9); Mazurka Asd op. 17 neu; Mazurka Bm wiederholt u. vertieft; Nocturne Fisd, neu.

© Transcription Robert Kosovsky, 2007

Hupka :

Beethoven Op. 101 new; Brahms: Concerto in B-flat major, new, complete first movement; counterpoint in up to three voices 1 ; Beethoven Op. 109, revisited; Haydn: Andante in F minor 2 , new; Chopin: Nocturne in E-flat major (Op. 9); Mazurka in A-flat major Op. 17 new; Mazurka in B-flat minor revisited and in greater depth; Nocturne in F# major, new.

© Translation Sigrun Heinzelmann, 2010

Hupka :

Beethoven op. 101 neu; Brahms: Konzert Bdur, neu, 1. Satz ganz; Kontrapunkt bis zum dreistimm. Satz 1 ; Beethoven op. 109, wiederholt; Haydn: Andante Fmoll 2 , neu; Chopin: Nocturne Esd (op. 9); Mazurka Asd op. 17 neu; Mazurka Bm wiederholt u. vertieft; Nocturne Fisd, neu.

© Transcription Robert Kosovsky, 2007

Hupka :

Beethoven Op. 101 new; Brahms: Concerto in B-flat major, new, complete first movement; counterpoint in up to three voices 1 ; Beethoven Op. 109, revisited; Haydn: Andante in F minor 2 , new; Chopin: Nocturne in E-flat major (Op. 9); Mazurka in A-flat major Op. 17 new; Mazurka in B-flat minor revisited and in greater depth; Nocturne in F# major, new.

© Translation Sigrun Heinzelmann, 2010

Footnotes

1 Reference presumably to Schenker’s Kontrapunkt, the second volume of which is subtitled Drei- und Mehrstimmiger Satz; Übergänge zum Freien Satz (Three- and More-voiced Counterpoint; Bridges to Free Composition).

2 Possibly Haydn, Piano Variations in F minor, Hob. XVII/6.