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Diary entry by Schenker April 25, 1926

25. Sonntag, schön.

— Nach der Jause im Prater. — Fortsetzung Schönberg-Strawinsky. 1 — An Rothberger (Ansichtsk.): Lie-Liechen dankt für die Blumen.

—

© Transcription Marko Deisinger.
25, Sunday, fair weather.

— After teatime in the Prater. — Continuation of Schoenberg–Stravinsky. 1 — To Rothberger (picture postcard): Lie-Liechen thanks [her] for the flowers.

—

© Translation William Drabkin.
25. Sonntag, schön.

— Nach der Jause im Prater. — Fortsetzung Schönberg-Strawinsky. 1 — An Rothberger (Ansichtsk.): Lie-Liechen dankt für die Blumen.

—

© Transcription Marko Deisinger.
25, Sunday, fair weather.

— After teatime in the Prater. — Continuation of Schoenberg–Stravinsky. 1 — To Rothberger (picture postcard): Lie-Liechen thanks [her] for the flowers.

—

© Translation William Drabkin.

Footnotes

1 In the "Fortsetzungen der Urlinie-Betrachtungen," the critique of Schoenberg's Harmonielehre is followed by a critical analysis of an extract from Stravinsky's Piano Concerto of 1924.