OC 3/1: Jan 1912-Mar 1912 - Angi Elias: lesson: Saturday January 27, 1912
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27. I. Elias † : [in left margin:]“⇧ IX?”[end marginalia] ⇧ 1. Satz Brahms Cl.-Sonate Vortrag. [Ueber das sf. im Nachsatz des 1. Ged. [diagram: four beats, sf on second and fourth] [Ueber das starke Spiel mit dem 5. der linken Hand beim Abschl. des 2. Ged., wodurch der plastische Eindruck gesteigert wird. [in left margin:] “⇧ Vortrag † ” 1 [end marginalia] ⇧ Das Hervorheben der entsprechenden Viertel der rechten Hand würde einen ähnlich guten Eindruck nicht hervorbringen! Fingersatz dieser Stelle legato von Daumen zu Daumen der linken Hand im Schlußgedanken.] © Transcription Robert Kosovsky, 2007 |
January 27, [1912] Elias † : [in left margin:] “⇧ Ninth Symphony?”[end marginalia] ⇧ First movement of Brahms Clarinet Sonata performance. [Concerning the sf in the consequent of the first theme [diagram: four beats, sf on second and fourth] [Concerning sturdy playing with the fifth [finger] of the left hand at the close of the second theme, by which the monumental effect is intensified. [in left margin:] “⇧ Performance † ” 1 [end marginalia] ⇧ The emphasizing of the corresponding fourth [finger] of the right hand would not make a similarly good effect! Fingering of this passage legato from thumb to thumb in the left hand in the cadential theme.] © Translation Ian Bent, 2021 |
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27. I. Elias † : [in left margin:]“⇧ IX?”[end marginalia] ⇧ 1. Satz Brahms Cl.-Sonate Vortrag. [Ueber das sf. im Nachsatz des 1. Ged. [diagram: four beats, sf on second and fourth] [Ueber das starke Spiel mit dem 5. der linken Hand beim Abschl. des 2. Ged., wodurch der plastische Eindruck gesteigert wird. [in left margin:] “⇧ Vortrag † ” 1 [end marginalia] ⇧ Das Hervorheben der entsprechenden Viertel der rechten Hand würde einen ähnlich guten Eindruck nicht hervorbringen! Fingersatz dieser Stelle legato von Daumen zu Daumen der linken Hand im Schlußgedanken.] © Transcription Robert Kosovsky, 2007 |
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January 27, [1912] Elias † : [in left margin:] “⇧ Ninth Symphony?”[end marginalia] ⇧ First movement of Brahms Clarinet Sonata performance. [Concerning the sf in the consequent of the first theme [diagram: four beats, sf on second and fourth] [Concerning sturdy playing with the fifth [finger] of the left hand at the close of the second theme, by which the monumental effect is intensified. [in left margin:] “⇧ Performance † ” 1 [end marginalia] ⇧ The emphasizing of the corresponding fourth [finger] of the right hand would not make a similarly good effect! Fingering of this passage legato from thumb to thumb in the left hand in the cadential theme.] © Translation Ian Bent, 2021 |
Footnotes1 By this Schenker probably meant to earmark the item for his already partly drafted but never completed study, Die Kunst des Vortrags , of which an edition by Heribert Esser, Eng. transl. Irene Schreier Scott, is published as The Art of Performance (Oxford: Oxford University Press, 2000). |
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Format† Double underlined |