OC 3/1: Jan 1912-Mar 1912 - Angi Elias: lesson: Saturday February 3, 1912
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3. II. Elias † : [2. + 3. Satz der Brahms-Sonate [.] Konstruktion des 3. ähnlich wie die des Allegretto der Mondscheinsonate woran die Tonart der Dominante dann erst die Hpttonart selbst.] Erinnerung an Brahms Vortrag dieses Stückes; der erste halbwegs warme Applaus kam eben nach {19} dem Alegretto! Andante fiel ab. © Transcription Robert Kosovsky, 2007 |
February 3, [1912] Elias † : [Movements 2 and 3 of the Brahms Sonata. Construction of the third [movement] similar to that of the Allegretto of the “Moonlight” Sonata, in which only after the key of the dominant [has been sounded] does the main key itself enter.] Memory of Brahms‘s performance of this piece; the first lukewarm applause came just after {19} the Allegretto! The Andante was a flop. © Translation Ian Bent, 2021 |
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3. II. Elias † : [2. + 3. Satz der Brahms-Sonate [.] Konstruktion des 3. ähnlich wie die des Allegretto der Mondscheinsonate woran die Tonart der Dominante dann erst die Hpttonart selbst.] Erinnerung an Brahms Vortrag dieses Stückes; der erste halbwegs warme Applaus kam eben nach {19} dem Alegretto! Andante fiel ab. © Transcription Robert Kosovsky, 2007 |
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February 3, [1912] Elias † : [Movements 2 and 3 of the Brahms Sonata. Construction of the third [movement] similar to that of the Allegretto of the “Moonlight” Sonata, in which only after the key of the dominant [has been sounded] does the main key itself enter.] Memory of Brahms‘s performance of this piece; the first lukewarm applause came just after {19} the Allegretto! The Andante was a flop. © Translation Ian Bent, 2021 |
Format† Double underlined |