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OC 3/1: Jan 1912-Mar 1912 - Evelina Pairamall: lesson: Saturday February 24, 1912


24. II.
Pairamall † :

über „Schnellen“ 1 beim Triller u. Fortführ. des Fingers. bis zum III. Ged. 2

© Transcription Robert Kosovsky, 2007

February 24, [1912]
Pairamall † :

about the “snap” 1 in relation to the trill; and continuation of the fingering up to the third theme. 2

© Translation Ian Bent, 2021

24. II.
Pairamall † :

über „Schnellen“ 1 beim Triller u. Fortführ. des Fingers. bis zum III. Ged. 2

© Transcription Robert Kosovsky, 2007

February 24, [1912]
Pairamall † :

about the “snap” 1 in relation to the trill; and continuation of the fingering up to the third theme. 2

© Translation Ian Bent, 2021

Footnotes

1 For an explanation of the terminology and its translation, see Hedi Siegel, "A Contribution to the Study of Ornamentation," The Music Forum, iv (New York: Columbia University Press, 1976, pp. 1–140, esp. p. 72, footnote 26.

2 Presumably of the Beethoven, Piano Concerto No. 4 in G major (see entries for February 3 and 14). — This entry is followed by an entry dated Sunday February 25 (“Brief nach Leitmeritz” – “Letter to Leitmeritz”), which does not appear in Schenker’s diary, but has been added to it editorially at February 25

Format

† Double underlined