OC 3/1-2: Oct 1912-Jun 1913 - Sofie Deutsch: lesson: Thursday, February 6, 1913
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6. Deutsch † : einiges aus dem Bd Trio von Beeth. speziell 32tel Var. aus dem Adagio; über den Gegensatz im Rondo; einiges aus Brahms Quartett u. endlich Brahms Trio, 1. S. Form; speziell über I.b; Umkehrung in der Durchführung vom Ton der Dominante in den Vierklang hineingebaut, u.s.f. 1 © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
[February] 6, [1913] Deutsch † : Some things from the Beethoven Bę major Trio, particularly the 32nd-note variation from the Adagio; about the contrast in the Rondo; some things from the Brahms Quartet and lastly the Brahms Trio, first movement, form; especially on I.b [bars 13–17]; inversion in the development [bars 15–17] from the root of the Dominant built into the four-note chord [bars 35–36], and so forth. 1 © Translation Ian Bent, 2022-23 |
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6. Deutsch † : einiges aus dem Bd Trio von Beeth. speziell 32tel Var. aus dem Adagio; über den Gegensatz im Rondo; einiges aus Brahms Quartett u. endlich Brahms Trio, 1. S. Form; speziell über I.b; Umkehrung in der Durchführung vom Ton der Dominante in den Vierklang hineingebaut, u.s.f. 1 © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
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[February] 6, [1913] Deutsch † : Some things from the Beethoven Bę major Trio, particularly the 32nd-note variation from the Adagio; about the contrast in the Rondo; some things from the Brahms Quartet and lastly the Brahms Trio, first movement, form; especially on I.b [bars 13–17]; inversion in the development [bars 15–17] from the root of the Dominant built into the four-note chord [bars 35–36], and so forth. 1 © Translation Ian Bent, 2022-23 |
Footnotes1 Schenker wrote an analysis of all four movements of Op. 114, dated October 21, 1913 (OC 34/194–200), destined for his Kleine Bibliothek ; the features discussed here appear in that analysis almost word-for-word: “The harmony of bars 35–36 is enharmonically exchanged, such that the melody appears to be built into the four-note chord over F.” |
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Format† Double underlined |