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3. III.
Elias
†
: XXV. Kap. §8, 12 u. 11. Ueber die Folge in Am: V–VI u. VI–V. II. Kap., 1. Abschn., §35, über die große Terz. II.
Kap. 2. Abschn, §3ff.
1
© Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23
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March 3,
[1913]
Elias
†
: Chapter XXV, §§8, 12 and 11. On the progression in A minor: V–VI and VI–V.
Chapter II, Section 1, §35, "The major Third;"
chapter II, Section 2, §3ff.
1
© Translation Ian Bent, 2022-23
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3. III.
Elias
†
: XXV. Kap. §8, 12 u. 11. Ueber die Folge in Am: V–VI u. VI–V. II. Kap., 1. Abschn., §35, über die große Terz. II.
Kap. 2. Abschn, §3ff.
1
© Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23
|
March 3,
[1913]
Elias
†
: Chapter XXV, §§8, 12 and 11. On the progression in A minor: V–VI and VI–V.
Chapter II, Section 1, §35, "The major Third;"
chapter II, Section 2, §3ff.
1
© Translation Ian Bent, 2022-23
|
Footnotes
1 Reference is to C. P. E. Bach, Essay on the True Art of Playing Keyboard
Instruments, Eng. transl. William J.
Mitchell (New York: W. W. Norton; London: Cassell, 1949;
London: Eulenburg, 1974), pp. 322–48 "Appoggiaturas," esp. pp. 324–29 and 331–36; pp. 198–209
"The Triad," esp. pp. 203–04 and
204ff.
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