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31. X.
Breisach
†
: Ueber einige Obertöne aus Bd. I, u. das wahre Wesen
des Systems als einer freien Vereinigung von 7
Grundtönen;
1
zurück zur Sonatenform, speziell über
den Einsatz der Modulation im 1. Satz.
2
© Transcription Robert Kosovsky, 2007, 2020
|
October 31,
[1913]
Breisach
†
: On some overtones from vol. I, and the true essence
of the system as a free assemblage of seven
fundamentals;
1
back to sonata form, in particular on the onset of the
modulatory section in the first movement.
2
© Translation Ian Bent, 2020
|
31. X.
Breisach
†
: Ueber einige Obertöne aus Bd. I, u. das wahre Wesen
des Systems als einer freien Vereinigung von 7
Grundtönen;
1
zurück zur Sonatenform, speziell über
den Einsatz der Modulation im 1. Satz.
2
© Transcription Robert Kosovsky, 2007, 2020
|
October 31,
[1913]
Breisach
†
: On some overtones from vol. I, and the true essence
of the system as a free assemblage of seven
fundamentals;
1
back to sonata form, in particular on the onset of the
modulatory section in the first movement.
2
© Translation Ian Bent, 2020
|
Footnotes
1 The main discussion of overtones in Harmonielehre occurs on pp. 32–43 (Eng. transl., pp.
20–30).
2 For the past two lessons,
Schenker has been talking to Breisach about musical form in the abstract. The
last sonata form work discussed was Brahms’s Op. 60 on October
21.
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