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OC 3/2-3: Oct 1913-Jun 1914 - Angi Elias: lesson: Monday November 17, 1913


17. XI.
Elias † :

1. Bespiel aus Roth 1 selbst verfertigt; Kritik; noch einmal über Septimen-Accorde. 2

© Transcription Robert Kosovsky, 2007, 2020

November 17, [1913]
Elias † :

First example from Roth, 1 worked on her own; critique; once again on the seventh chord. 2

© Translation Ian Bent, 2020

17. XI.
Elias † :

1. Bespiel aus Roth 1 selbst verfertigt; Kritik; noch einmal über Septimen-Accorde. 2

© Transcription Robert Kosovsky, 2007, 2020

November 17, [1913]
Elias † :

First example from Roth, 1 worked on her own; critique; once again on the seventh chord. 2

© Translation Ian Bent, 2020

Footnotes

1 Herman Roth, ed., 25 Geistliche Lieder (aus dem Schemellischen Gesangbuch) für eine Singstimme und basso continuo (Leipzig: C. F. Peters, [n.d.]), a copy of which, with annotations in Schenker's hand, is preserved at OJ 25/1.

2 Reference is to C. P. E. Bach, Essay on the True Art of Playing Keyboard Instruments, Eng. transl. William J. Mitchell (New York: W. W. Norton; London: Cassell, 1949; London: Eulenburg, 1974), pp. 265–74 “The Chord of the Seventh (I)”; pp. 274–83 “The Chord of the Seventh (II).”

Format

† Double underlined