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OC 3/2-3: Oct 1913-Jun 1914 - Marianne Kahn: lesson: Saturday, April 4, 1914


4.
Kahn † :

rep: Brahms, ung. Tanz, Chopin Etüden 1–4, 1 sehr gut. Generalbaß Roth No 14. 2

© Transcription Robert Kosovsky, 2007, 2020

[April] 4, [1914]
Kahn † :

Revisited: Brahms, Hungarian Dance, Chopin Etudes 1–4, 1 very good. Thoroughbass Roth No. 14. 2

© Translation Ian Bent, 2020

4.
Kahn † :

rep: Brahms, ung. Tanz, Chopin Etüden 1–4, 1 sehr gut. Generalbaß Roth No 14. 2

© Transcription Robert Kosovsky, 2007, 2020

[April] 4, [1914]
Kahn † :

Revisited: Brahms, Hungarian Dance, Chopin Etudes 1–4, 1 very good. Thoroughbass Roth No. 14. 2

© Translation Ian Bent, 2020

Footnotes

1 More likely Op. 10 than Op. 25 on the basis of lessons earlier this year.

2 Herman Roth, ed., 25 Geistliche Lieder (aus dem Schemellischen Gesangbuch) für eine Singstimme und basso continuo (Leipzig: C. F. Peters, [n.d.]), a copy of which, with annotations in Schenker's hand, is preserved at OJ 25/1; No. 14 "Jesu, Jesu, du bist mein" (BWV 357). On March 28, Kahn had worked on Nos. 8–11.

Format

† Double underlined