OC 3/3: 1917/18 - Fräulein König: lessons: 2nd semester 1917/18
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König :
neu Händel-Variationen abgeschlossen 12. II. neu Préludes Gd, Hm; Walzer Em; Préludes Cd, Ad, Ed, Em, Fd, Bm; Walzer Gesd wiederholt; Beethoven op. 109 ganz. Theorie: Kontrapunkt bis zum mehrstimmigen Satz incl. 1 — © Transcription Robert Kosovsky, 2007 |
König :
new Handel-Variations completed February 12. New: Preludes in G major, B minor; Waltz in E minor; Preludes in C major, A major, E major, E minor, F major, Bb minor; Waltz in Gb major revisited; Beethoven Op. 109 all. Theory: Counterpoint up to and including counterpoint in three and more voices. 1 — © Translation Sigrun Heinzelmann, 2009 |
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König :
neu Händel-Variationen abgeschlossen 12. II. neu Préludes Gd, Hm; Walzer Em; Préludes Cd, Ad, Ed, Em, Fd, Bm; Walzer Gesd wiederholt; Beethoven op. 109 ganz. Theorie: Kontrapunkt bis zum mehrstimmigen Satz incl. 1 — © Transcription Robert Kosovsky, 2007 |
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König :
new Handel-Variations completed February 12. New: Preludes in G major, B minor; Waltz in E minor; Preludes in C major, A major, E major, E minor, F major, Bb minor; Waltz in Gb major revisited; Beethoven Op. 109 all. Theory: Counterpoint up to and including counterpoint in three and more voices. 1 — © Translation Sigrun Heinzelmann, 2009 |
Footnotes1 Probably refers to Schenker’s Kontrapunkt . Schenker’s remark implies that König progressed past the first volume into materials of the second volume (subtitled Drei- und Mehrstimmiger Satz; Übergänge zum Freien Satz (Three- and More-voiced Counterpoint; Bridges to Free Composition). Schenker was teaching from his own unpublished materials for vol. II/2 of his series Neue Musikalische Theorien und Phantasien (eventually pubd Vienna: Universal Edition, 1922). |