OC 3/3: 1917/18 - Fräulein Selig: lessons: 2nd semester 1917/18
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Selig :
neu Bach-Busoni Chaconne mit Heranziehung des Originales, Schumanns u. Mendelssohns Bearbeitungen 1 ; Beethoven Appassionata; begonnen Brahms Händel-Variationen bis zur V. Var.; wiederholt: Bach chrom. FantFuge . — © Transcription Robert Kosovsky, 2007 |
Selig :
new Bach-Busoni Chaconne with consultation of the original, [as well as] Schumann’s and Mendelssohn’s arrangements 1 ; Beethoven "Appassionata"; begun Brahms Handel Variations up to the fifth variation; revisited: Bach Chromatic FantasyFugue . — © Translation Sigrun Heinzelmann, 2009 |
|
Selig :
neu Bach-Busoni Chaconne mit Heranziehung des Originales, Schumanns u. Mendelssohns Bearbeitungen 1 ; Beethoven Appassionata; begonnen Brahms Händel-Variationen bis zur V. Var.; wiederholt: Bach chrom. FantFuge . — © Transcription Robert Kosovsky, 2007 |
|
Selig :
new Bach-Busoni Chaconne with consultation of the original, [as well as] Schumann’s and Mendelssohn’s arrangements 1 ; Beethoven "Appassionata"; begun Brahms Handel Variations up to the fifth variation; revisited: Bach Chromatic FantasyFugue . — © Translation Sigrun Heinzelmann, 2009 |
Footnotes1 Both Mendelssohn and Schumann and composed some of the first "transcriptions" of the D-minor Chaconne by adding a piano accompaniment to J. S. Bach’s solo violin part. Schumann’s transcription was inspired by Mendelssohn’s version, which Schumann heard in a concert at the Leipzig Gewandhaus on February 8, 1840, when Mendelssohn accompanied the concertmaster, Ferdinand David, at the piano. Brahms transcribed the Chaconne for piano left hand in 1877; Busoni’s transcription is from 1893. |