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... 13. Elias: rep: Brahms Adur, Chopin Fmoll-Etude, Ballade u. Bach: Präl u. Fuge.A “Bach, Fuge,” unidentified, is mentioned in her lesson notes for May 27, where it is given as “revisited.” The only reference to a Bach fugue previously in 1914 is in ...
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... 16. XI. Elias: Händelvariationen: Exposition der Fuge u. Var. bis zur 12.Schenker’s diary for this date records: “Raising of Miss Elias's lesson fee; her reply: ‘I had wanted to do this myself for some time.’” November 16, 1912 Elias: Handel ...
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... 20. XI. Elias: Fortsetzung der Fuge u. die Var. 1–12; aus der Rhapsodie v. Brahms u. einiges v. Chopin. November 20, 1912 Elias: Continuation of the fugue and variations 1–12; about the Brahms Rhapsody and some things by Chopin. ...
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... 7. XII. Elias: Händel-Var. bis zur 12. u. Desd u. Gesd Einsätze aus der Fuge. December 7, 1912 Elias: Handel Variations as far as variation 12, and D major and G major entrances from the fugue. ...
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... 11/XII. Hupka: Brahms Studien. Aus Händel Var 4; ein Stückchen der Fuge. Am Etüde aus op. 10 December 11, 1912 Hupka: Brahms studies. Handel Variation No. 4; a short section of the fugue. A minor Etude from Op. 10 ...
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... 23 21 . Hupka: Händel-Variationen bis zur 8.; Fuge bis zu den Umkehrungen. Besuch des Vaters wegen des Stipendiums. December 23 21 , 1912 Hupka: Handel Variations as far as variation 8; fugue up to the inversions. A visit by his father regarding his ...
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... 28. XII. Elias: Fortsetzung der Fuge; einiges aus der Rhapsodie u. Wiederhol. der Mazurka.Cf. her lesson notes for October 23 and November 30. December 28, 1912 Elias: Continuation of the fugue; some things in the Rhapsody and revisiting the Mazurka. ...
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... 4./I. Elias: Fuge bis über die Vergrößerung auswendig; ebenso die Var. bis zur 12. Studien in der Rhapsodie. January 4, 1913 Elias: Fugue from memory as far as the augmentation; likewise the Variations as far as No. 12. Studies in the Rhapsody. ...
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... 8. I. Hupka: Thema u. 1. Var. aus op. 109; prestissimo repetirt; Fuge bis zur Gesdur Stelle. January 8, 1913 Hupka: Theme and first variation of Op. 109; prestissimo second movement repeated; fugue as far as the G major passage. ...
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... 15. I. Hupka: Fingersatz in der Fuge, Fortsetz; 2. Var, op. 109; Studien des Basses u. symbol: inverted “V” Harmonien. January 15, 1913 Hupka: Fingering in the Fugue, continuation; second variation of Op. 109; studies of the bass and symbol ...