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... 24. Elias: Liszt; rep.: Brahms-Händel zum 2.xAt her May 7 lesson Elias played the work entire and from memory. ganz. May 24, 1913 Elias: Liszt; revisited: Brahms-Handel for the second time, in its entirety. ...
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... 27. VI. Bloch: rep. BusoniThe only reference to Busoni in Bloch’s studies in 1912/13 has been to the Busoni arrangement of Bach’s Chaconne in D minor.; Sonate 1. u. 2. Satz. June 27, 1913 Bloch: Revisited: Busoni; Sonata, first and second movements. ...
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... 13. Weisse: 1. Mischungsaufgaben, falsch; Quintett: Bemerkungen zum 1. u. 2. Ged.; einiges aus Brahms Kl.-Quartett Cm. October 13, 1913 Weisse: First exercises in mixture, wrong; Quintet: remarks on the first and second themes; some points from ...
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... , at her place!!) Trio in A minor: performance of the second and third movements. ...
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... 18. Weisse: op. 110,Schenker’s diary for November 15 indicates that work on his Erläuterungsausgabe of Op. 110 was continuing. 2. S., Einrichtung des Vortrags; repet. 1. Satz, recht gut. November 18, 1913 Weisse: op. 110, second movement, a basis ...
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... 10. XII. Hupka: op. 110 bis zum Arioso neu; rep. 1+2. S.; aus op. 109 1. Satz; Brahms-Händel Variationen: Fuge. December 10, 1913 Hupka: op. 110 as far as the Arioso new; revisited: the first and second movements; Op. 109, the first movement; Brahms ...
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... 12. Bloch: Chopin: Ballade Gm neu; Erklärung bis zum Gegensatz in Esd; rep. Beeth-Son. ganz. December 12, 1913 Bloch: Chopin Ballade in G minor new; explanation up to the second subject in E major; revisited Beethoven Sonata entire. ...
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... -back and speedings-up; fugue, half the exposition; first and second movements revisited; Scherzo-Trio especially successful. ...
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... 20. XII. Elias: Händel-Brahms Variationen wegen Fingersatz bei Var. 9; rep. Schumann Quintett 1. u. 2. Satz. December 20, 1913 Elias: Brahms Handel Variations on account of fingering in variation 9; Schumann Quintet first and second movements ...
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... 16. I. Breisach: Beeth: IV. Sinfonie, 1. Satz bis Dchfrg. Adagio.No punctuation precedes “Adagio”; there is thus ambiguity as to whether reference is to the first-movement introductory Adagio, mm. 1–38, or the second movement Adagio itself. January ...