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... function of ornamentation and the nature of instrumental sonority by juxtaposing Bach's own words against von Bülow's (1903, pp. 4-6; Eng. trans., pp. 16-22, and in the individual ornament sections). Over the crux between his and von Bülow's edition of the ...
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... January 1935 (tables of student hours 1934/35: OC A/259 and A/264). She appears in the lesson books 1913-31 (OC 3/1-4) and there are lesson notes for her from 1931-32 (OC 16/35-37). Her Vienna address from at least 1907 to 1938 was XIX, (Döblinger ...
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... asked Schenker to take her on as a piano pupil in April 1923 ‒ on grounds that she was suffering a "pianistic-technical crisis." She had previously been a pupil of Hans Weisse, who warned Schenker that she was a "clingy, pathological being" (diary May 4 ...
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... author was appointed professor of theory at the Conservatory in Munich, and has even just now become music director at the University of Leipzig. (OJ 1/3, p. 8d = 1/4, p. 11b) But already before that, Schenker had had Reger in his sights. Reger is the ...
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... Heinrich to “Tonschl-the-father” and “Tonschl-the-son” (OJ 5/38, [4], August 18, 1923) suggests that one child was named “Anton” after his father; this leads to the likelihood that the “Tonerl,” referred to often in Schenker documents, was Tonschl’s son ...
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... Vrieslander to Schenker in the Jonas Collection (OJ 5/42 and OJ 15/4: 1912, 1917-20, 1935-39), and 5 from the Vrieslanders and Herman Roth to Schenker (OJ 13/30: undated); 1 from Vrieslander to Violin (OJ 70/43: 1912), 1 from Vrieslander to Robert Brünauer (OJ ...
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... make music together" (OJ 12/6, [32], June 11, 1934). Schenker listened to the radio concert on September 6, 1934, and judged it harshly in his diary (OJ 4/7, p. 3942): at 9 o'clock Willfort: an orchestra of modest ability, he conducts ineffectually, his ...
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... a new edition was due. His diary for February 4, 1922 records: "Corrections to Op. 109, mainly removal of foreign terms that should be replaced by German terms that have the same meaning and roughly the same number of characters" (OJ 3/3, p. 2413 ...
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... to Moriz Violin: "I am proceeding with the Urlinie Edition of the Short Preludes by J. S. Bach (all eighteen pieces, quite exquisite)" (OJ 6/7, [4], Dec 21, 1922), which suggests that he continued to take the concept of the Urlinie-Ausgabe seriously ...
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... sein, die B. zurückbehielt und die er in den Briefen an Ries von 19. 3. 25 u. 3. 4. 25 (vgl. Thayer S. 166–167) „meine Partitur“ nennt. Für Schott’s Stecher war diese Partitur gewiß nicht bestimmt, weil aus äußeren u. inneren Gründen noch gar nicht ...