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Diary entry for 1935-01-05
... January 5, 1935: See summary diary entry for January 4–14, 1935 on January 22nd. January 5, 1935: See summary diary entry for January 4–14, 1935 on January 22nd. ...
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... 5. II. Newlov: Appassionata bis Schluß des 1. Teiles. Polonaise noch immer verzerrt. February 5, 1912 Newlov: Appassionata as far as the close of the first section. Polonaise yet again distorted. ...
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... 5. XI. Stirling: Asd Walzer. Beide Grieg Stücke. Cm Etude v. Chopin. November 5, 1912 Stirling: A major Waltz. Both Grieg pieces. Chopin C minor Etude. ...
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... 5. XI. Brünauer: Chopin Cism Etude besser. Einige Fragen aus Brahms. November 5, 1912 Brünauer: Chopin C minor Etude improved. Some questions about the Brahms. ...
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... 18. Hupka: Var. 5–6, neu; zugleich Fuge bis zum Mod.-Teil. December 18, 1912 Hupka: Variations 5 and 6, new; at the same time the fugue as far as the modulatory section. ...
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... 5. Elias: Fuge; Orgelp. u. 13. Var.; Erklärung, Fingers. u. Ausführ. February 5, 1913 Elias: Fugue; pedal point and 13th variation; clarification, fingering and execution. ...
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... 5. Kaff: Mittelteil, Cisd-Stelle; die Teile a1 u. a2 ausgebessert. February 5, 1913 Kaff: Middle section, C major passage; the sections a1 and a2 improved. ...
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... 5. Pairamall: Antrittsbesuch.Mrs. Pairamall became a pupil probably in October 1911, and appears in the first lessonbook from January to March 1912, but has since then been absent. March 5, 1913 Pairamall: Preliminary visit. ...
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... 3. V. Hupka: Prälude 5 u. 6 analysirt; Scheintonarten durch Stimmführung entstanden. May 3, 1913 Hupka: Preludes No. 5 and No. 6 analysed; illusory keys arising from voice-leading. ...
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... 28. Pairamall: noch einmal Brief;Probably another letter to Madrid: cf. her lesson notes for April 30 and May 21. Var. 1–5. May 28, 1913 Pairamall: Yet another letter; Variations 1–5. ...