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... 8. II. Vrieslander: Fortsetz. der Synk. einige Stimmfg.-Schönheiten in Mozart’s Andante con variationi;Mozart, Andante con variazioni for piano four hands, K501. The chords across the barline of bar 7 are indeed registrally wide-spread. bes. die 6 ...
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... 22. II. Vrieslander: Beendigung de r s 4-stimm. Gattung Satzes, Beginn des 5-stimm. February 22, 1912 Vrieslander: Four-voice species counterpoint concluded, five-voice counterpoint begun. ...
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... 21. XI. Deutsch: Dwořak I. Satz; Kontrastbilder gegen Beethoven, Brahms, u.s.f. November 21, 1912 Deutsch: Dvořák first movement; contrasts vis-à-vis Beethoven, Brahms, and so forth. ...
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... 27. XI. Kaff: Mittelteil aus der Am Etüde, 8 Takte. Mondscheinsonate 1. S. ziemlich richtig. November 27, 1912 Kaff: Middle section of the A minor Etude, eight bars. “Moonlight” Sonata first movement pretty accurate. ...
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... 28. XI. Colbert: 1. S. aus Brahms’ Cello-Sonate; Beeth. gr. Bdur Trio. November 28, 1912 Colbert: First movement of the Brahms’ Cello-Sonata; Beethoven “great” B major Trio. ...
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... 4./I. Hupka: Var. 8; Fuge; Wiederholung op. 109, 1. 2. Satz gut, 3. S. schwach. January 4, 1913 Hupka: Variation 8; fugue; revisit of Op. 109, first and second movements good, third movement weak. ...
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... 8. I. Kaff: Am, Gesdur Etüde; Mondschein-Sonate, 1 S.; Intermezzo von Brahms sehr gut. January 8, 1913 Kaff: A minor and G major etudes; Moonlight Sonata, first movement; Intermezzo by Brahms very good. ...
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... 11. I. Kahn: gemischte, V. Gatt. (gut); Fuge Emoll; Mondscheinsonate, letzter S. sehr gut. January 11, 1913 Kahn: 5th (mixed) species (good); fugue in E minor; Moonlight Sonata, last movement, very good. ...
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... 11. I. Hupka Stufen in Brahms Händelvar.; auskomponirte Sekundschritte, s. die 4. Var. January 11, 1913 Hupka: Scale-steps in Brahms’ Handel Variations; composed-out steps of a 2nd, see variation 4. ...
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... 17. I. Brünauer: Etude Cism u. Berceuse gut; Sonate 1. S. zuende. January 17, 1913 Brünauer: Etude in C minor and Berceuse good; Sonata first movement, through to the end. ...