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... 4. XII. Colbert: rep.: Chopin: Cism mit Rückfällen, CmSome ambiguity arises from the notes to Colbert’s previous two lessons (November 20, 27) as to whether this was Op. 10, No. 12 or Op. 25, No. 12. sehr gut; Schubert: Impromptu GesdIn its original ...
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... 5. XII. Breisach: Bruckner VII. Sinfonie bis zur Durchführung; Darstellung der Fehler. December 5, 1913 Breisach: Bruckner‘s Seventh Symphony as far as the development section; exposure of the errors. ...
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... 10. XII. Elias: Aus „Böhmens Hain u. Fluren“ Smetana; Dworak: Terzett 4-händig. December 10, 1913 Elias: "From Bohemia’s Fields and Groves" Smetana; Dvořák: Terzetto played four-hands. ...
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... 12. Brünauer: op. 97, 1. S. zuende; rep.: Nocturne, Brahms Esd-Intermezzo. December 12, 1913 Brünauer: Op. 97, first movement through to the end; revisited: Nocturne, Brahms E major Intermezzo. ...
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... 23. XII. Breisach: 2. Satz v. Brahms’ Ad Quartett; sehr geschickt. December 23, 1913 Breisach: Second movement of Brahms’s A major Quartet; very skilful. ...
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... 20. I. Weisse: op. 110 zum 1. mal ganz; Mozart Gm Sinf., 1. S. January 20, 1914 Weisse: Op. 110 for the first time in its entirety; Mozart G minor Symphony, first movement. ...
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... 30. I. Breisach: Für Quartett Abend Rosé:Cf. Weisse’s lesson notes for January 26. einiges zu op. 60. January 30, 1914 Breisach: For the Rosé quartet evening: something about Op. 60. ...
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... 30. I. Bloch: Chopin: Ballade Fortsetzung; rep. Beeth, 1., 3. S. January 30, 1914 Bloch: Chopin: continuation of the Ballade; revisited: Beethoven, movements 1 and 3. ...
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... 6 7 . II. Pairamall: Präzisirung der Aufgaben; über Continuo, Generalbaß u.s.w. February 7, 1914 Pairamall: Specification of her exercises; about Continuo, thoroughbass etc. ...
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... 17. Kolischer: op. 27, No 2 Scherzo, Trio; über Synkopen, B Rückungen, u.s.f February 17, 1914 Kolischer: Op. 27, No. 2 Scherzo, Trio; about syncopations, rhythmic displacements, etc. ...