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... 8. XI. Elias: Schumann Quintett, 1. Satz vorzüglich; Bach: Präludium u. anschliessend Kritik der Riemann’schen Darstellung.Reference is to Hugo Riemann, Katechismus der Fugen-Komposition (Analyse von J. S. Bachs “Wohtemperiertem Klavier” und “Kunst ...
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... 19. XI. Hupka: op. 110,Schenker’s diary for November 19 records: “in the morning the [commentary on the] first movement [of Op. 110] finished, and in the evening the second begun.” erster Satz recht gut, auswendig; Scherzo, 1. Teil, neu; rep.: op ...
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... 11. XII. Colbert: repetiert Chopin Etüden: Ed, Am, Cism, wieder besser; Schubert: Gesd Impromptu.In its original form Schubert‘s Impromptu D899, No. 3 was in G major, but it was first published in G major, and it is in the latter version that ...
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... 13. Hupka: 3-stimmiger Satz, 2. Gattung; einiges über die veränderten ReprisenReference to C. P. E. Bach’s two volumes of Kurze und leichte Clavierstücke mit veränderten Reprisen … (1766, 1768). Schenker introduced these pieces also to Weisse and ...
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... 18. Deutsch:Schenker’s diary for this day records: “Mrs. Deutsch thanks me for the suggestion to read the numerous magazines, to which, as she says, she will get around to doing with pleasure and profit.” Brahms: op. 26 Scherzo bis Trio, rep. 1 ...
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... 5. Deutsch: op. 60 ganz u. gut; Rechenschaft über ArbterAlfred von Arbter (1877–1936), Viennese pianist and composer.; Kalbeck IV1,Perhaps vol. IV, chap. 1 of Kalbeck’s 4-vol. biography Johannes Brahms (Berlin: Deutsche Brahms-Gesellschaft, 1904 ...
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... 24. Weisse: Händel-Variation bis Orgelpunkt.Variations 21, 22, and 23 form a group characterized by the use of organ-points. Var. 22 has a stationary B organ-point throughout, and Schenker characterizes it as a “musette” (cf. Weisse’s lesson note ...
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... 4. Kaff: Walzer;See previous lessons for series of waltzes. Schenker’s diary for this day records: “My pupil from Brünn [Brno], who informed me a week ago that she had left half of the volume in the train carriage, and in fact because she was ...
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... . March 18, 1914 Hupka: Polonaise through to the end; revisited: both mazurkas, Op. 109, first movement; Brahms’s Handel Variations: theme and variation 1. ...
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... : Exercises, third species; on the early rondo form; C. P. E. Bach’s B major Rondo from Book 5. ...