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OJ 11/42, [4] - Handwritten postcard from Maximilian Harden to Schenker, dated June 27, 1893
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⇧ Deutsche Reichspost Postkarte An: ⇧ Herrn Dr. H. Schenker ⇧ in ⇧ Wien III ⇧ Wohnung ⇧ Traungasse 1 [postmark:] || BERLIN W. c | 9 | 28 6| 93| 1-5V. || [postmark:] || WIEN 3/3 | 49, | BESTELLT | 29. 6. 93, 8V. || {verso} ⇧ DIE ZUKUNFT. HERAUSGEBER: MAXIMILIAN HARDEN. BERLIN W. 9, ⇧ 27. 6 ⇧ [18]9⇧ 3 ⇧ 27 KÖTHENER STRASSE. ⇧ Sehr geehrter Herr, © Transcription William Pastille, 2006 |
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⇧ German Imperial Post Postcard To: ⇧ Dr. H. Schenker ⇧ in: ⇧ Vienna III ⇧ Address: ⇧ Traungasse 1 [postmark:] || BERLIN W. c | 9 | 28 6 | 93, 1-5 A.M. || [postmark:] || VIENNA 3/3 | 49 | DELIVERED | 29. 6. 93, 8 A.M. || {verso} ⇧ DIE ZUKUNFT. EDITOR: MAXIMILIAN HARDEN. BERLIN W. 9, ⇧ June 27, ⇧ [18]9⇧ 3 ⇧ 27 KÖTHENER STRASSE ⇧ Dear Sir, © Translation William Pastille, 2006 |
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⇧ Deutsche Reichspost Postkarte An: ⇧ Herrn Dr. H. Schenker ⇧ in ⇧ Wien III ⇧ Wohnung ⇧ Traungasse 1 [postmark:] || BERLIN W. c | 9 | 28 6| 93| 1-5V. || [postmark:] || WIEN 3/3 | 49, | BESTELLT | 29. 6. 93, 8V. || {verso} ⇧ DIE ZUKUNFT. HERAUSGEBER: MAXIMILIAN HARDEN. BERLIN W. 9, ⇧ 27. 6 ⇧ [18]9⇧ 3 ⇧ 27 KÖTHENER STRASSE. ⇧ Sehr geehrter Herr, © Transcription William Pastille, 2006 |
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⇧ German Imperial Post Postcard To: ⇧ Dr. H. Schenker ⇧ in: ⇧ Vienna III ⇧ Address: ⇧ Traungasse 1 [postmark:] || BERLIN W. c | 9 | 28 6 | 93, 1-5 A.M. || [postmark:] || VIENNA 3/3 | 49 | DELIVERED | 29. 6. 93, 8 A.M. || {verso} ⇧ DIE ZUKUNFT. EDITOR: MAXIMILIAN HARDEN. BERLIN W. 9, ⇧ June 27, ⇧ [18]9⇧ 3 ⇧ 27 KÖTHENER STRASSE ⇧ Dear Sir, © Translation William Pastille, 2006 |
Footnotes1 That is, without a discussion of Realism. 2 This would eventually become "Der Sonzogno-Markt in Wien," which appeared in Die Zukunft 4 (August 5, 1893), 282‒83. In that article, Schenker critiques the consequences of the Viennese market for Italian operas largely subvented by the Italian publishing house Sonzogno: "We deserve, quite candidly, everything unpleasant that Sonzogno and Ricordi may yet visit on us in the future, since we are paying the price for abandoning the great prophets of our own art." ("[W]ir verdienen wohl redlich alles Uebel, das Sonzogno und Ricordi in Zukunft uns noch bescheren mögen, da wir den Abfall von den großen Propheten unserer eigenen Kunst büßen."). The article is reprinted in Hellmut Federhofer, Heinrich Schenker als Essayist und Kritiker (Hildesheim: Georg Olms Verlag, 1990), 55. 3 This article, "Friedrich Smetana," was published in Die Zukunft 3 (July 1, 1893), 37‒40. It is reprinted in Hellmut Federhofer, Heinrich Schenker als Essayist und Kritiker (Hildesheim: Georg Olms Verlag, 1990), 48‒53. 4 Probably the scholar of German language and literature, Adolph Gelber (1856‒1923). |
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Digital version created: 2014-12-05 |