14.

An Kurths Kontrapunkt. — Nachmittag Philharmonisches Konzert, Weingartner: Brahms Serenade Adur ; unsagbar plump, entseelt! Wagners neu entdecktes „Liebesverbot“ Ouvertüre: französierende Mache, doch aber auch schon Tannhäuser, ja Fliegender Holländer-Töne; schließlich Eroica . — Dr. Kalmus mit Frau von 6½–9h: entwickelt seine Ideen.

© Transcription Marko Deisinger.

14

Worked on Kurth's [Linear] Counterpoint. — Philharmonic concert in the afternoon, Weingartner: Brahms's Serenade in A major ; unspeakably mundane, spiritless! Wagner's newly discovered overture to Liebesverbot: French-like style, but also tones from Tannhäuser, even Flying Dutchman; finally "Eroica." Dr. Kalmus with his wife from 6:30 to 9:00: develops his ideas.

© Translation Scott Witmer.

14.

An Kurths Kontrapunkt. — Nachmittag Philharmonisches Konzert, Weingartner: Brahms Serenade Adur ; unsagbar plump, entseelt! Wagners neu entdecktes „Liebesverbot“ Ouvertüre: französierende Mache, doch aber auch schon Tannhäuser, ja Fliegender Holländer-Töne; schließlich Eroica . — Dr. Kalmus mit Frau von 6½–9h: entwickelt seine Ideen.

© Transcription Marko Deisinger.

14

Worked on Kurth's [Linear] Counterpoint. — Philharmonic concert in the afternoon, Weingartner: Brahms's Serenade in A major ; unspeakably mundane, spiritless! Wagner's newly discovered overture to Liebesverbot: French-like style, but also tones from Tannhäuser, even Flying Dutchman; finally "Eroica." Dr. Kalmus with his wife from 6:30 to 9:00: develops his ideas.

© Translation Scott Witmer.