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17. Dezember 1924 –2°, Nebel.
— Otto Bauer, München ladet zur Mitarbeit ein an „Dur u. Moll“. — Von Hasenpflug (Br.): Absage! Der Vater habe Mühe genug, die Akademie-Kosten zu erschwingen; er bittet mich um die Geneigtheit, ihm gegebenen Falls einen Rat zu erteilen! — Klichées zu Beethovens op. 10 No. 2; 1 große Fortschritte in der Darstellung! — An Schuberts Fmoll 3/8 allegro scherzando 2 abends die Linie festgest[ell]t. 3 — An S. Bachs kleinem Präludium Amoll 4 bis ¾12h nachts; den früheren Entwurf im Bett korrigirt. — Den ganzen Tag zuhause. —© Transcription Marko Deisinger. |
December 17, 1924 –2°, fog.
— Otto Bauer, Munich invites [me] to contribute to Dur und Moll. — From Hasenpflug (letter): cancellation! It is difficult enough for his father to afford the cost of the Academy; he asks me to be so kind as to give him a piece of advice if needed! — Music examples for Beethoven's Op. 10 No. 2; 1 big progress in the presentation! — Established 2 the [Ur]linie for Schubert's F-minor 3/8 Allegro scherzando 3 in the evening. — Worked on J. S. Bach's Short Prelude in A minor 4 until 11:45 p.m.; corrected the earlier sketch. — Home the entire day. —© Translation Scott Witmer. |
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17. Dezember 1924 –2°, Nebel.
— Otto Bauer, München ladet zur Mitarbeit ein an „Dur u. Moll“. — Von Hasenpflug (Br.): Absage! Der Vater habe Mühe genug, die Akademie-Kosten zu erschwingen; er bittet mich um die Geneigtheit, ihm gegebenen Falls einen Rat zu erteilen! — Klichées zu Beethovens op. 10 No. 2; 1 große Fortschritte in der Darstellung! — An Schuberts Fmoll 3/8 allegro scherzando 2 abends die Linie festgest[ell]t. 3 — An S. Bachs kleinem Präludium Amoll 4 bis ¾12h nachts; den früheren Entwurf im Bett korrigirt. — Den ganzen Tag zuhause. —© Transcription Marko Deisinger. |
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December 17, 1924 –2°, fog.
— Otto Bauer, Munich invites [me] to contribute to Dur und Moll. — From Hasenpflug (letter): cancellation! It is difficult enough for his father to afford the cost of the Academy; he asks me to be so kind as to give him a piece of advice if needed! — Music examples for Beethoven's Op. 10 No. 2; 1 big progress in the presentation! — Established 2 the [Ur]linie for Schubert's F-minor 3/8 Allegro scherzando 3 in the evening. — Worked on J. S. Bach's Short Prelude in A minor 4 until 11:45 p.m.; corrected the earlier sketch. — Home the entire day. —© Translation Scott Witmer. |
Footnotes1 A study of Beethoven's Piano Sonata in F major, Op. 10, No. 2, forms part of "Vom Organischen der Sonatenform," Das Meisterwerk in der Musik, vol. II (1926), 49–50; Eng. transl., II, pp. 25–27, which includes music examples Figs 5 and 6 (p. 50), and the eleven-layer graph Fig. IV in the appendix at the back. 2 Schubert, Quatre Impromptus, No. 4 Allegro scherzando: there is no published study of this work by Schenker, but there is an unidentified sketch of a graph preserved among preliminary Freier Satz material as OC 22/50 which may possibly relate. 3 There is an ink smudge in the original diary entry where the square brackets are in the German transcription. 4 "Joh. S. Bach, Zwölf kleine Präludien, Nr. 12," Das Meisterwerk in der Musik, vol. I (1925), 115–23; Eng. transl., II, pp. 62–66. |