|
1. Mai 1926 Bedeckt, 15–25°.
— Stundenfrei. — Nach der Jause im Café Aspang, im Vorgarten! — Rf.: 6¼h Buxbaum spielt Mozarts Gmoll-Quartett 1 – unmögliche Darstellung! —© Transcription Marko Deisinger. |
May 1, 1926, cloudy, 15–25°.
— Free of teaching. — After teatime in the Aspang coffee-house, in the front garden! — Radio: 6:15 Buxbaum plays Mozart's G-minor Quartet 1 – an impossible interpretation! —© Translation William Drabkin. |
|
1. Mai 1926 Bedeckt, 15–25°.
— Stundenfrei. — Nach der Jause im Café Aspang, im Vorgarten! — Rf.: 6¼h Buxbaum spielt Mozarts Gmoll-Quartett 1 – unmögliche Darstellung! —© Transcription Marko Deisinger. |
|
May 1, 1926, cloudy, 15–25°.
— Free of teaching. — After teatime in the Aspang coffee-house, in the front garden! — Radio: 6:15 Buxbaum plays Mozart's G-minor Quartet 1 – an impossible interpretation! —© Translation William Drabkin. |
Footnotes1 Although it would be unusual for a cellist to be named as a principal player in a piano quartet, Buxbaum often formed ensembles with younger musicians in the 1920s after his dismissal from the Arnold Rosé String Quartet, and Schenker was likely to refer to these as Buxbaum's groups. |