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16. 15°.
— Von Rothberger (Br.): dankt für den Besuch, versteht sich im Geschäft. — Vom Verlag (Br.): T. 28 der Mozart-Sinfonie. 1 — An den Verlag (recomm.= OC 54/160): Fahnen 61–87 zum Umbruch u. T. 28 der Sinfonie zurück, impr. — Von der U.-E. (recomm.= OC 52/835 WSLB 377): Korrektur der Appassionata. 2 — Der Sattler repariert die Handtasche (1 Sch.). — Von Salzer allerhand Papier (5.55 Sch.) {3067} —© Transcription Marko Deisinger. |
16, 15°.
— From Rothberger (letter): he thanks me for the visit, is getting on well in his business. — From the publisher (letter): bar 28 of the Mozart symphony. 1 — To the publisher (registered mail= OC 54/160): galley-proofs 61–87, for page make-up, and bar 28 of the Symphony returned, with my approval. — From UE (registered mail= OC 52/835 WSLB 377): proofs of the "Appassionata". 2 — The saddler repairs the handbag (1 shilling). — From Salzer's, various sorts of paper (5.55 shillings) {3067} —© Translation William Drabkin. |
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16. 15°.
— Von Rothberger (Br.): dankt für den Besuch, versteht sich im Geschäft. — Vom Verlag (Br.): T. 28 der Mozart-Sinfonie. 1 — An den Verlag (recomm.= OC 54/160): Fahnen 61–87 zum Umbruch u. T. 28 der Sinfonie zurück, impr. — Von der U.-E. (recomm.= OC 52/835 WSLB 377): Korrektur der Appassionata. 2 — Der Sattler repariert die Handtasche (1 Sch.). — Von Salzer allerhand Papier (5.55 Sch.) {3067} —© Transcription Marko Deisinger. |
|
16, 15°.
— From Rothberger (letter): he thanks me for the visit, is getting on well in his business. — From the publisher (letter): bar 28 of the Mozart symphony. 1 — To the publisher (registered mail= OC 54/160): galley-proofs 61–87, for page make-up, and bar 28 of the Symphony returned, with my approval. — From UE (registered mail= OC 52/835 WSLB 377): proofs of the "Appassionata". 2 — The saddler repairs the handbag (1 shilling). — From Salzer's, various sorts of paper (5.55 shillings) {3067} —© Translation William Drabkin. |
Footnotes1 Schenker, "Mozart: Sinfonie G-moll," Meisterwerk 2 (1926), 107‒57 Urlinie-Tafeln; Eng. transl., pp. 59‒96. 2 A facsimile edition of the autograph manuscript of the "Appassionata" Sonata, Op. 57 had recently been issued (Paris: Edition d'Art H. Piazza, [1927]). Schenker has been making changes to his individual edition of the sonata in the light of this, not charging UE for his work. |