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OC 3/1: Jan 1912-Mar 1912 - Hans Weisse: lesson: Friday February 9, 1912


9. II.
Weisse † :

[in left margin:] ⇧ II2 freier Satz 1 [end marginalia] [ ⇧ Stimmführung in der II. Var. Unterscheidung der obligaten von continualen Stimmen; die Minutiosität in der Behandlung der verschied. Charaktere u. die Gründe 2 derselben.

© Transcription Robert Kosovsky, 2007

February 9, [1912]
Weisse † :

[in left margin:] ⇧ II/2 freier Satz 1 [end marginalia] [ ⇧ voice-leading in the second variation. Distinction between obligatory and continuo voices; the minutiae in the treatment of the different characters and the reasons 2 for the same.

© Translation Ian Bent, 2021

9. II.
Weisse † :

[in left margin:] ⇧ II2 freier Satz 1 [end marginalia] [ ⇧ Stimmführung in der II. Var. Unterscheidung der obligaten von continualen Stimmen; die Minutiosität in der Behandlung der verschied. Charaktere u. die Gründe 2 derselben.

© Transcription Robert Kosovsky, 2007

February 9, [1912]
Weisse † :

[in left margin:] ⇧ II/2 freier Satz 1 [end marginalia] [ ⇧ voice-leading in the second variation. Distinction between obligatory and continuo voices; the minutiae in the treatment of the different characters and the reasons 2 for the same.

© Translation Ian Bent, 2021

Footnotes

1 At this stage of its development, Kontrapunkt 2 was to include free composition. See: Hedi Siegel, "When 'Freier Satz' was part of Kontrapunkt: a preliminary report," in Schenker Studies 2, ed. Carl Schachter and Hedi Siegel (Cambridge: Cambridge University Press, 1999), pp. 12–25.

2 “die Gründe” probably overwritten upon singular “der Grund.”

Format

† Double underlined