OC 3/1-2: Oct 1912-Jun 1913 - Sofie Deutsch: lesson: Monday December 16, 1912
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16/XII. Deutsch † : Bericht über die Erfahrungen des Zusammenspiels 1 u. die entsprechenden Ratschläge. Im Anschluß an den Aufsatz von Dr. Otto Weiß: „Wer ist musikalisch“ Klarstellung der Inferiorität der sogenannten „musikalischen Instinkte.“ An zwei Beispielen aus Kraus Demonstrierung von Stylisierung u. Chaos. Correktur des über die Form der beiden letzten Sätze schriftlich Gebrachten. 2 © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
December 16, [1912] Deutsch † : Report on her experiences of playing chamber music, 1 and my corresponding pieces of advice. In the appendix to the article by Dr. Otto Weiß, "Who is Musical," the inferiority of so-called “musical instincts“ made clear. With two examples from Kraus, demonstration of stylization and chaos. Correction of her revised notes about the form of the two movements. 2 © Translation Ian Bent, 2022-23 |
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16/XII. Deutsch † : Bericht über die Erfahrungen des Zusammenspiels 1 u. die entsprechenden Ratschläge. Im Anschluß an den Aufsatz von Dr. Otto Weiß: „Wer ist musikalisch“ Klarstellung der Inferiorität der sogenannten „musikalischen Instinkte.“ An zwei Beispielen aus Kraus Demonstrierung von Stylisierung u. Chaos. Correktur des über die Form der beiden letzten Sätze schriftlich Gebrachten. 2 © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
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December 16, [1912] Deutsch † : Report on her experiences of playing chamber music, 1 and my corresponding pieces of advice. In the appendix to the article by Dr. Otto Weiß, "Who is Musical," the inferiority of so-called “musical instincts“ made clear. With two examples from Kraus, demonstration of stylization and chaos. Correction of her revised notes about the form of the two movements. 2 © Translation Ian Bent, 2022-23 |
Footnotes1 Literally “playing together,” but the lessonbooks and diaries give ample evidence that she performed in piano-based chamber music (e.g. the Brahms Clarinet Trio, played publicly in Autumn 1913) with friends, professional as well as amateur musicians, in soirées at her home and in public venues. Cf. her lesson notes for December 19, where “Zusammenspiel” and also “Probe” (“rehearsal”) are used. Cf. also her lesson notes for December 23, where the term “Kammermusik” is used. 2 Probably of the Dvořák String Quartet in Eę major, Op. 51, which she was studying at the time. |
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Format† Double underlined |