OC 3/1-2: Oct 1912-Jun 1913 - Felix Hupka: lesson: Saturday, March 29, 1913
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29. Hupka † : Fortsetz. d. Harmonielehre; Kap. v. Dreiklang; modulatorische Bedeutung; 1 Farben die resultiren, je nachdem die Umdeutung von einem ferneren Wert, bezw. in einen ferneren Wert vollzogen werden; 2 Bsp aus op. 109, 1. S. dort V ě3 [recte III3] - I! vgl. Haydn Cism Sonate. © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
[March] 29, [1913] Hupka † : Continuation of my Theory of Harmony ; the chapter on the triad; modulatory meaning; 1 colors that result each time the re-interpretation from a distant value or to a distant value is completed; 2 examples from Op. 109, first movement, there V ě3 [recte III3] – I! Cf. Haydn Cě minor Sonata. © Translation Ian Bent, 2022-23 |
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29. Hupka † : Fortsetz. d. Harmonielehre; Kap. v. Dreiklang; modulatorische Bedeutung; 1 Farben die resultiren, je nachdem die Umdeutung von einem ferneren Wert, bezw. in einen ferneren Wert vollzogen werden; 2 Bsp aus op. 109, 1. S. dort V ě3 [recte III3] - I! vgl. Haydn Cism Sonate. © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
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[March] 29, [1913] Hupka † : Continuation of my Theory of Harmony ; the chapter on the triad; modulatory meaning; 1 colors that result each time the re-interpretation from a distant value or to a distant value is completed; 2 examples from Op. 109, first movement, there V ě3 [recte III3] – I! Cf. Haydn Cě minor Sonata. © Translation Ian Bent, 2022-23 |
Footnotes1 For triad and “modulatory meaning” (modulatorische Bedeutung) see Harmonielehre, Part I, division 2, section 3 "Die Lehre von den Dreiklängen," chapters 1–2, §§93–97, pp. 236–40 (Eng. transl., pp. 182–85). 2 For “re-interpretation” (Umdeutung) and “value” (Wert), see Hamonielehre, Part II, division 2, section 1, chapter 1 "Modulation durch Umdeutung," §§171–173, pp. 423–27 (Eng. transl., pp. 321–25). |
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Format† Double underlined |