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OC 3/1-2: Oct 1912-Jun 1913 - Hans Weisse: lesson: Tuesday, April 22, 1913


22.
Weisse † :

Aufgaben, viel u. gut 1 ; über den Unterschied von Bachs Form u. der späteren Sonatenform 2 ; über einiges aus dem Fd Quintett v. Brahms.

© Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23

[April] 22, [1913]
Weisse † :

Exercises, many and good 1 ; on the difference between Bachs form and the later sonata form 2 ; about some things in the Brahms F major Quintet.

© Translation Ian Bent, 2022-23

22.
Weisse † :

Aufgaben, viel u. gut 1 ; über den Unterschied von Bachs Form u. der späteren Sonatenform 2 ; über einiges aus dem Fd Quintett v. Brahms.

© Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23

[April] 22, [1913]
Weisse † :

Exercises, many and good 1 ; on the difference between Bachs form and the later sonata form 2 ; about some things in the Brahms F major Quintet.

© Translation Ian Bent, 2022-23

Footnotes

1 Weisse’s study of counterpoint in April 1913 is discussed in detail in Timothy L. Jackson, "Punctus contra punctus …," Journal of Schenkerian Studies iv (2010), 138 and 140–42, collated with Weisse’s own surviving counterpoint notebooks. Lessons for April 15, 18, 22, and 25, the exercises, with Schenker’s annotations, for which are preserved in the first notebook, cover three-voice counterpoint, fourth species.

2 Cf. Schenker, Ein Beitrag zur Ornamentik ([1903], 2/1908), chapters 3 and 5 on form in C. P. E. Bach’s sonatas.

Format

† Double underlined