OC 3/1-2: Oct 1912-Jun 1913 - Hans Weisse: lesson: Friday, June 13, 1913
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13. Weisse † : Aufgaben, 4 u. 5-stimm. Gattung 1 ; Brahms: 4. Sinf., Andante: Anfang c = VI in E; rückwirkender phrygischer Zug; Chopin: Neue Etüden Desdur Form u. sonst mehreres Einzelnes. © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
[June] 13, [1913] Weisse † : Exercises in four- and five-voice species 1 ; Brahms: Symphony No. 4, Andante: beginning c = VI in E; retrospectively operating Phrygian move; Chopin: Nouvelles études [No. 3 in] Dę major form and several other particulars. © Translation Ian Bent, 2022-23 |
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13. Weisse † : Aufgaben, 4 u. 5-stimm. Gattung 1 ; Brahms: 4. Sinf., Andante: Anfang c = VI in E; rückwirkender phrygischer Zug; Chopin: Neue Etüden Desdur Form u. sonst mehreres Einzelnes. © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
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[June] 13, [1913] Weisse † : Exercises in four- and five-voice species 1 ; Brahms: Symphony No. 4, Andante: beginning c = VI in E; retrospectively operating Phrygian move; Chopin: Nouvelles études [No. 3 in] Dę major form and several other particulars. © Translation Ian Bent, 2022-23 |
Footnotes1 Imprecise wording. The content of Weisse’s study of counterpoint on this day can be seen from that on June 6, 1913, which is discussed in Timothy L. Jackson, "Punctus contra punctus …," Journal of Schenkerian Studies iv (2010), 139 and 160–66, collated with Weisse’s own surviving counterpoint notebooks. The exercises, with Schenker’s annotations, are preserved in the third notebook, covering four-voice counterpoint in fourth and fifth species. The fourth notebook, which presumably included this day and June 17 and 20, is missing. |
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Format† Double underlined |