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OC 3/2-3: Oct 1913-Jun 1914 - Angi Elias: lesson: Monday November 3, 1913


3. XI.
Elias † :

das Kapitel vom Sextaccord; systematische Ordnung der Paragraphe beider Abschnitte; 1 Roth Nr. 4. 2

© Transcription Robert Kosovsky, 2007, 2020

November 3, [1913]
Elias † :

The chapter on the sixth chord; systematic ordering of the paragraphs of the two sections; 1 Roth No. 4. 2

© Translation Ian Bent, 2020

3. XI.
Elias † :

das Kapitel vom Sextaccord; systematische Ordnung der Paragraphe beider Abschnitte; 1 Roth Nr. 4. 2

© Transcription Robert Kosovsky, 2007, 2020

November 3, [1913]
Elias † :

The chapter on the sixth chord; systematic ordering of the paragraphs of the two sections; 1 Roth No. 4. 2

© Translation Ian Bent, 2020

Footnotes

1 C. P. E. Bach, Essay on the True Art of Playing Keyboard Instruments, Eng. transl. William J. Mitchell (New York: W. W. Norton; London: Cassell, 1949; London: Eulenburg, 1974), pp. 209–16 "The Chord of the Sixth (I)"; pp. 217–22 "The Chord of the Sixth (II)" – 22 and 14 paragraphs, respectively. Schenker is using Bach’s own terminology here: certain “chapters” (Kapitel) are subdivided into two “sections” (Abschnitt), which are then subdivided into numbered paragraphs.

2 Herman Roth, ed., 25 Geistliche Lieder (aus dem Schemellischen Gesangbuch) für eine Singstimme und basso continuo (Leipzig: C. F. Peters, [n.d.]), a copy of which, with annotations in Schenker's hand, is preserved at OJ 25/1. No. 4 is "Mein Jesu! was für Seelenweh" (BWV 487).

Format

† Double underlined