8. XI.
Lie-Lie :

Beethoven Asd , 1. 2. + 4. Satz; noch außer Verhältnis zum Instrument, aber sicher im Besitz des bereits Errungenen. Chopin: Berceuse vorzüglich; Czerny: tägliche Uebungen. 1

© Transcription Robert Kosovsky, 2007, 2020


November 8, [1913]
Lie-Lie :

Beethoven Aę major, first, second, and fourth movements; no yet fully attuned to the instrument, but definitely with a grasp of what she has already achieved. Chopin: Berceuse outstanding; Czerny: daily exercises. 1

© Translation Ian Bent, 2020


8. XI.
Lie-Lie :

Beethoven Asd , 1. 2. + 4. Satz; noch außer Verhältnis zum Instrument, aber sicher im Besitz des bereits Errungenen. Chopin: Berceuse vorzüglich; Czerny: tägliche Uebungen. 1

© Transcription Robert Kosovsky, 2007, 2020


November 8, [1913]
Lie-Lie :

Beethoven Aę major, first, second, and fourth movements; no yet fully attuned to the instrument, but definitely with a grasp of what she has already achieved. Chopin: Berceuse outstanding; Czerny: daily exercises. 1

© Translation Ian Bent, 2020

Footnotes

1 Perhaps Czerny’s 40 tägliche Studien, Op. 337, or 100 leichte Übungstücke, Op. 792, or one of his many other technical exercise study volumes. — This is the only lesson to Jenny Kornfeld/Jeanette Schenker recorded in this lessonbook. Two previous lessons are recorded, on January 16 and October 15, 1912; no lessons are recorded in later lessonbooks. (All three are marked out by the name-form, “Lie-Lie,” by contrast with the strict last-name form for all other pupils, however close to Schenker.) One wonders whether lessons, regular or irregular, continued unrecorded, or whether the initiative was abandoned.