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24. XI.
Weisse :

Aufgaben 1+2+4 1 recht gut; einiges über Strauß [sic] Partituren; endlich aus Brahms op. 60, Adagio.

© Transcription Robert Kosovsky, 2007, 2020


November 24, [1913]
Weisse :

exercises 1+2+4 1 really good; a few things about Strauss’s scores; finally the Adagio of Brahms’s Op. 60.

© Translation Ian Bent, 2020


24. XI.
Weisse :

Aufgaben 1+2+4 1 recht gut; einiges über Strauß [sic] Partituren; endlich aus Brahms op. 60, Adagio.

© Transcription Robert Kosovsky, 2007, 2020


November 24, [1913]
Weisse :

exercises 1+2+4 1 really good; a few things about Strauss’s scores; finally the Adagio of Brahms’s Op. 60.

© Translation Ian Bent, 2020

Footnotes

1 i.e. mixed-species counterpoint of three voices, one in 1st species, one in 2nd species, one in 4th species. — Several of Weisse’s exercise books from his studies with Schenker have survived: for a detailed description, see Timothy L. Jackson, "Punctus contra punctus – a Counterpoint of Schenkerian and Weissian Analysis and Hans Weisse’s Counterpoint Studies with Heinrich Schenker," Journal of Schenkerian Studies, 4 (2010), pp. 87–186, esp. pp. 138–80. Heft V (Notebook 5) contains Weisse’s exercises for 1913/14, and survives, see Jackson, pp. 166–80 and pp. 139–40.