OC 3/2-3: Oct 1913-Jun 1914 - Paul Breisach: lesson: Tuesday December 9, 1913
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9. XII. Breisach † : Bruckner: VII. Sinf., Durchführung, Reprise; einiges zum 1. Satz bezüglich der Tonika-Aufstellung u. der starken Taktteile; Adagio – ob 3- oder 4-teilig; Schubert: Impromptu G[es] dur 1 als Muster; auch aus Haydn s Sinfonie Esd einiges; einiges was nur Genies machen können! © Transcription Robert Kosovsky, 2007, 2020 |
December 9, [1913] Breisach † : Bruckner: Seventh Symphony, develepment section and recapitulation; one or two things in the first movement concerning the presentation in the tonic and the strong beats of the bar; Adagio – whether 3-part or 4-part; Schubert: Impromptu in G[ę] major 1 as model; also some points in Haydn’s Symphony in Eę major; some things that only geniuses can do! © Translation Ian Bent, 2020 |
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9. XII. Breisach † : Bruckner: VII. Sinf., Durchführung, Reprise; einiges zum 1. Satz bezüglich der Tonika-Aufstellung u. der starken Taktteile; Adagio – ob 3- oder 4-teilig; Schubert: Impromptu G[es] dur 1 als Muster; auch aus Haydn s Sinfonie Esd einiges; einiges was nur Genies machen können! © Transcription Robert Kosovsky, 2007, 2020 |
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December 9, [1913] Breisach † : Bruckner: Seventh Symphony, develepment section and recapitulation; one or two things in the first movement concerning the presentation in the tonic and the strong beats of the bar; Adagio – whether 3-part or 4-part; Schubert: Impromptu in G[ę] major 1 as model; also some points in Haydn’s Symphony in Eę major; some things that only geniuses can do! © Translation Ian Bent, 2020 |
Footnotes1 In its original form Schubert‘s Impromptu D899, No. 3 was in Gę major, but it was first published in G major, and it is in the latter version that Schenker taught it. |
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Format† Double underlined |