OC 3/2-3: Oct 1913-Jun 1914 - Hans Weisse: lesson: Monday, January 26, 1914
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26. Weisse † : Wegen des Rosé-Quartets 1 einiges zum Clarinetten-Trio u. zu op. 101. Generalbaß: 6/3[vertical]-Accord Verdopplungen. 2 © Transcription Robert Kosovsky, 2007, 2020 |
[January] 26, [1914] Weisse † : On account of the Rosé Quartet 1 a few words about the Clarinet Trio and about Op. 101. Thoroughbass: 6/3[vertical] chord doublings. 2 © Translation Ian Bent, 2020 |
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26. Weisse † : Wegen des Rosé-Quartets 1 einiges zum Clarinetten-Trio u. zu op. 101. Generalbaß: 6/3[vertical]-Accord Verdopplungen. 2 © Transcription Robert Kosovsky, 2007, 2020 |
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[January] 26, [1914] Weisse † : On account of the Rosé Quartet 1 a few words about the Clarinet Trio and about Op. 101. Thoroughbass: 6/3[vertical] chord doublings. 2 © Translation Ian Bent, 2020 |
Footnotes1 Cf. Breisach’s lesson notes for January 30. 2 C. P. E. Bach, Essay on the True Art of Playing Keyboard Instruments, Eng. transl. William J. Mitchell (New York: W. W. Norton; London: Cassell, 1949; London: Eulenburg, 1974), pp. 209–22 "The Chord of the Sixth" (doublings covered on pp. 209–12). |
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Format† Double underlined |