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4.
Hupka
†
: Mischungs-Aufgaben mit Zugrundelegung der 2.
Gattung,
1
dabei
neuartige Synkopen 6/5[vertical] 9/8[vertical] mit neuem Ausgängen: 7/5[vertical] 2/4[vertical].
© Transcription Robert Kosovsky, 2007, 2020
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[April] 4,
[1914]
Hupka
†
: Exercises in combined counterpoints taking 2nd
species as a basis,
1
at the same time new types of syncopes
6/5[vertical] 9/8[vertical] with new outcomes:
7/5[vertical] 2/4[vertical].
© Translation Ian Bent, 2020
|
4.
Hupka
†
: Mischungs-Aufgaben mit Zugrundelegung der 2.
Gattung,
1
dabei
neuartige Synkopen 6/5[vertical] 9/8[vertical] mit neuem Ausgängen: 7/5[vertical] 2/4[vertical].
© Transcription Robert Kosovsky, 2007, 2020
|
[April] 4,
[1914]
Hupka
†
: Exercises in combined counterpoints taking 2nd
species as a basis,
1
at the same time new types of syncopes
6/5[vertical] 9/8[vertical] with new outcomes:
7/5[vertical] 2/4[vertical].
© Translation Ian Bent, 2020
|
Footnotes
1 Hupka had been studying five- and six-voice counterpoint at the
time of his March 27 lesson. Following the scheme of the as yet unpublished
Kontrapunkt II, today’s work corresponds with
chapter 1 of the section "Übergänge zum freien
Satz," headed "Mischung zweier oder dreier
Kontrapunkte zweiter Gattung, A. Dreistimmiger Satz," of which §1
begins: "Treten dem C.f. zwei Kontrapunkte gegenüber ..."
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