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OC 3/2-3: Oct 1913-Jun 1914 - Hans Weisse: lesson: Friday, May 22, 1914


22.
Weisse † :

Choral; ein eigenes Probestück; dazu aus Seb. Bach’s Chorälen: Peters, Edur in 2 Fassungen verglichen, u.s.w. Septimen-Accord abgeschlossen, 7/6[vertical] neu. 1

© Transcription Robert Kosovsky, 2007, 2020

[May] 22, [1914]
Weisse † :

Chorale; a specimen of his own; added to that, from J. S. Bach’s chorales (Peters), E major compared in two versions, etc. Seventh chord finished off, 7/6[vertical] new. 1

© Translation Ian Bent, 2020

22.
Weisse † :

Choral; ein eigenes Probestück; dazu aus Seb. Bach’s Chorälen: Peters, Edur in 2 Fassungen verglichen, u.s.w. Septimen-Accord abgeschlossen, 7/6[vertical] neu. 1

© Transcription Robert Kosovsky, 2007, 2020

[May] 22, [1914]
Weisse † :

Chorale; a specimen of his own; added to that, from J. S. Bach’s chorales (Peters), E major compared in two versions, etc. Seventh chord finished off, 7/6[vertical] new. 1

© Translation Ian Bent, 2020

Footnotes

1 C. P. E. Bach, Essay on the True Art of Playing Keyboard Instruments, Eng. transl. William J. Mitchell (New York: W. W. Norton; London: Cassell, 1949; London: Eulenburg, 1974), pp. 274–83 (= chapter XIII, section 2), "The Chord of the Seventh" (finished off); pp. 283–86 (= chapter XIV), "The Seven-Six Chord" (begun).

Format

† Double underlined