Chopin Etude Em; zum erstenmal Untersuchung der Linie; wiederholt Generalbaß, {6} Kontrapunkt; Studien nach den 69 Bach-Chorälen ¹ (extemporiert); Brahms: Rhapsodie Gm, neu; wiederholt: Beethoven: Sonate Fisd, Chopin Cism aus Op. 10; (für die Mama Mozart Fantasie Cm); Chopin: Nocturne Cism, neu, 11. XII.; Fis wiederholt; einiges Analytische aus Schuberts Sonate Am, Peters No. 1; Beethoven: Trio Cm, Dd (Geister-Trio); Chopin: Nocturne Desd, neu; Appassionata auf Linie untersucht; Stellen aus Brahms Sextett Gd; Liszt: Mephisto-Walzer zu Rigorosum-Zwecken ² ; Bruckners Symphonien vierhändig, ausgenommen VIII u. VI; Stellen aus der Mondschein-Sonate: 2. 3. Satz auf Linie, desgleichen Chopin Etude Gesd; Violin-Konzerte von Mozart u. Bach; Linie in Mozarts Sonate Cd, Urtext, No. 1, letzter Satz; in Schuberts Sonate Hd; {7} Brahms: Rhapsodie Gm, wiederholt; Chopin: Nocturne Cism, wiederholt; Stellen aus Brahms Symphonie II u. IV; Correkturen aus Mondschein-Sonate. —

Chopin: Etude in E minor; for the first time, study of the [Ur]linie; revisited thoroughbass, {6} counterpoint; studies after the 69 Bach chorales ¹ (extemporised); Brahms: Rhapsody in G minor, new; revisited: Beethoven: Sonata in F# major, Chopin C# minor from Op. 10; (for the mother, Mozart Fantasy in C minor); Chopin: Nocturne in C# minor, new, December 11; F# major revisited; some analytical matters from Schubert: Sonata in A minor, Peters [edition] No. 1; Beethoven: Trio in C minor, D major ("Ghost" Trio); Chopin: Nocturne in D-flat major, new; "Appassionata" studied with a view to [Ur]linie; excerpts from Brahms: Sextet in G major; Liszt: Mephisto Waltz for purposes of the Rigorosum ² ; Bruckner’s symphonies arranged for four hands, except Nos 8 and 6; passages from the "Moonlight" Sonata: second and third movements, with a view to [Ur]linie, likewise Chopin: Etude in G-flat major; violin concertos by Mozart and Bach; [Ur]linie in Mozart: Sonata in C major, Urtext [edition] No. 1, last movement [and] in Schubert: Sonata in B major; {7} Brahms: Rhapsody in G minor, revisited; Chopin: Nocturne in C# minor, revisited; passages from Brahms Symphonies Nos 2 and 4; corrections in the "Moonlight" Sonata. —

Chopin Etude Em; zum erstenmal Untersuchung der Linie; wiederholt Generalbaß, {6} Kontrapunkt; Studien nach den 69 Bach-Chorälen ¹ (extemporiert); Brahms: Rhapsodie Gm, neu; wiederholt: Beethoven: Sonate Fisd, Chopin Cism aus Op. 10; (für die Mama Mozart Fantasie Cm); Chopin: Nocturne Cism, neu, 11. XII.; Fis wiederholt; einiges Analytische aus Schuberts Sonate Am, Peters No. 1; Beethoven: Trio Cm, Dd (Geister-Trio); Chopin: Nocturne Desd, neu; Appassionata auf Linie untersucht; Stellen aus Brahms Sextett Gd; Liszt: Mephisto-Walzer zu Rigorosum-Zwecken ² ; Bruckners Symphonien vierhändig, ausgenommen VIII u. VI; Stellen aus der Mondschein-Sonate: 2. 3. Satz auf Linie, desgleichen Chopin Etude Gesd; Violin-Konzerte von Mozart u. Bach; Linie in Mozarts Sonate Cd, Urtext, No. 1, letzter Satz; in Schuberts Sonate Hd; {7} Brahms: Rhapsodie Gm, wiederholt; Chopin: Nocturne Cism, wiederholt; Stellen aus Brahms Symphonie II u. IV; Correkturen aus Mondschein-Sonate. —

Chopin: Etude in E minor; for the first time, study of the [Ur]linie; revisited thoroughbass, {6} counterpoint; studies after the 69 Bach chorales ¹ (extemporised); Brahms: Rhapsody in G minor, new; revisited: Beethoven: Sonata in F# major, Chopin C# minor from Op. 10; (for the mother, Mozart Fantasy in C minor); Chopin: Nocturne in C# minor, new, December 11; F# major revisited; some analytical matters from Schubert: Sonata in A minor, Peters [edition] No. 1; Beethoven: Trio in C minor, D major ("Ghost" Trio); Chopin: Nocturne in D-flat major, new; "Appassionata" studied with a view to [Ur]linie; excerpts from Brahms: Sextet in G major; Liszt: Mephisto Waltz for purposes of the Rigorosum ² ; Bruckner’s symphonies arranged for four hands, except Nos 8 and 6; passages from the "Moonlight" Sonata: second and third movements, with a view to [Ur]linie, likewise Chopin: Etude in G-flat major; violin concertos by Mozart and Bach; [Ur]linie in Mozart: Sonata in C major, Urtext [edition] No. 1, last movement [and] in Schubert: Sonata in B major; {7} Brahms: Rhapsody in G minor, revisited; Chopin: Nocturne in C# minor, revisited; passages from Brahms Symphonies Nos 2 and 4; corrections in the "Moonlight" Sonata. —