OC 3/3: 1920/21 - Klammerth [jnr]: lessons: 1920/21
|
{5}
Klammerth:
†
Exposition der Fuge nach Marx u. Wohltemp. Klavier. 1 Eigene Versuche. Choral: „Ach Gott, siehe vom Himmel“ [recte "Ach Gott, vom Himmel sieh darein"] (Beiträge zur Seminar 2 -Prüfung). Einiges aus dem Generalbaß nach Seb. Bach. 3 Stellen aus den Leonoren-Ouverturen [sic], Durchführung. Beethoven: Diabelli-Variationen 15. Appassionata. Chopin: Walzer Desd. © Transcription Robert Kosovsky, ed. Alan Dodson, 2007, 2020 |
{5}
Klammerth:
†
Fugal exposition according to Marx and the Well-tempered Clavier . 1 His own attempts. Chorale: "Ach Gott, siehe vom Himmel" [recte "Ach Gott, vom Himmel sieh darein"] (submissions for the seminar 2 examination). Some passages from J. S. Bach's Generalbassbüchlein. 3 Excerpts from the "Leonore" Overtures, development. Beethoven: Diabelli Variations, No. 15. "Appassionata" [Sonata] . Chopin: Waltz in Dę major. © Translation Alan Dodson, 2020 |
|
{5}
Klammerth:
†
Exposition der Fuge nach Marx u. Wohltemp. Klavier. 1 Eigene Versuche. Choral: „Ach Gott, siehe vom Himmel“ [recte "Ach Gott, vom Himmel sieh darein"] (Beiträge zur Seminar 2 -Prüfung). Einiges aus dem Generalbaß nach Seb. Bach. 3 Stellen aus den Leonoren-Ouverturen [sic], Durchführung. Beethoven: Diabelli-Variationen 15. Appassionata. Chopin: Walzer Desd. © Transcription Robert Kosovsky, ed. Alan Dodson, 2007, 2020 |
|
{5}
Klammerth:
†
Fugal exposition according to Marx and the Well-tempered Clavier . 1 His own attempts. Chorale: "Ach Gott, siehe vom Himmel" [recte "Ach Gott, vom Himmel sieh darein"] (submissions for the seminar 2 examination). Some passages from J. S. Bach's Generalbassbüchlein. 3 Excerpts from the "Leonore" Overtures, development. Beethoven: Diabelli Variations, No. 15. "Appassionata" [Sonata] . Chopin: Waltz in Dę major. © Translation Alan Dodson, 2020 |
Footnotes1 Cf. Schenker's diary October 27, 1920: "Klammerth to first lesson (fugue)." 2 i.e. Guido Adler's seminar at the Musikhistorisches Institut, Vienna University. See also reference in notes for Figdor. The chorale is BWV 2/6 or BWV 77/6, Riemenschneider 262 or 253. 3 J.S. Bach's Precepts and Principles for Playing the Thorough-Bass or Accompanying in Four Parts, trans. Pamela Poulin, with facsimile of the manuscript (Oxford: Clarendon, 1994). See also Hedi Siegel, "A Source for Schenker's Study of Thorough-Bass: His Annotated Copy of J. S. Bach's Generalbassbüchlein," in Schenker Studies (Cambridge: Cambridge University Press, 1990), pp. 15–28. |
|
Format† Double underlined |