OC 3/3: 1920/21 - Marianne Kahn: lessons: 1920/21
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Kahn:
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[Jeanette Schenker writes these notes continuously, in a single paragraph.] Beethoven: Sonate op. 31 No 1, No 2, op. 7. Schumann: „Des Abends“, „Warum“, Traumeswirren. Chopin: Nocturne Fdur, Dmoll. 1 Wiederholt Chopin: Préludes Desdur, Fis-dur. Mondscheinsonate. 2 Chopin: Walzer Desdur, Prélude Cdur. Beethoven: Sonate Fdur op. 10, letzter Satz. op. 110, 111, 106, 109. Brahms-Paganini-Variationen. Stellen aus Chopin Etudes. Theoretische Fragen: Bach: 1. Bdur Präludium; Beethoven: op. 53, 1. Satz, Durchführung, Coda. Chopin: Etude Ges-dur Stufen u. dgl. Bach: Toccata u. Fuge Dm. 3 Durch Elias s.o. 4 © Transcription Robert Kosovsky, ed. Alan Dodson, 2007, 2020 |
Kahn:
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[Jeanette Schenker writes these notes continuously, in a single paragraph.] Beethoven: Sonata Op. 31, No. 1, No. 2, Op. 7. Schumann: "Des Abends," "Warum," "Traumes Wirren." Chopin: Nocturnes in F major, D minor. 1 Revisited: Chopin: Preludes in Dę major, Fě major. "Moonlight" Sonata. 2 Chopin: Waltz in Dę major, Prelude in C major. Beethoven: Sonata in F major, Op. 10, last movement. Opp. 110, 111, 106, 109. Brahms Paganini Variations. Passages from Chopin Etudes. Theoretical questions: Bach: first Prelude in Bę major; Beethoven: Op. 53, first movement, development, coda. Chopin: Etude in Gę major, scale steps and so forth. Bach: Toccata and Fugue in D minor. 3 On lessons with Elias, see above. 4 © Translation Alan Dodson, 2020 |
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Kahn:
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[Jeanette Schenker writes these notes continuously, in a single paragraph.] Beethoven: Sonate op. 31 No 1, No 2, op. 7. Schumann: „Des Abends“, „Warum“, Traumeswirren. Chopin: Nocturne Fdur, Dmoll. 1 Wiederholt Chopin: Préludes Desdur, Fis-dur. Mondscheinsonate. 2 Chopin: Walzer Desdur, Prélude Cdur. Beethoven: Sonate Fdur op. 10, letzter Satz. op. 110, 111, 106, 109. Brahms-Paganini-Variationen. Stellen aus Chopin Etudes. Theoretische Fragen: Bach: 1. Bdur Präludium; Beethoven: op. 53, 1. Satz, Durchführung, Coda. Chopin: Etude Ges-dur Stufen u. dgl. Bach: Toccata u. Fuge Dm. 3 Durch Elias s.o. 4 © Transcription Robert Kosovsky, ed. Alan Dodson, 2007, 2020 |
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Kahn:
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[Jeanette Schenker writes these notes continuously, in a single paragraph.] Beethoven: Sonata Op. 31, No. 1, No. 2, Op. 7. Schumann: "Des Abends," "Warum," "Traumes Wirren." Chopin: Nocturnes in F major, D minor. 1 Revisited: Chopin: Preludes in Dę major, Fě major. "Moonlight" Sonata. 2 Chopin: Waltz in Dę major, Prelude in C major. Beethoven: Sonata in F major, Op. 10, last movement. Opp. 110, 111, 106, 109. Brahms Paganini Variations. Passages from Chopin Etudes. Theoretical questions: Bach: first Prelude in Bę major; Beethoven: Op. 53, first movement, development, coda. Chopin: Etude in Gę major, scale steps and so forth. Bach: Toccata and Fugue in D minor. 3 On lessons with Elias, see above. 4 © Translation Alan Dodson, 2020 |
Footnotes1 There is no Nocturne in D minor (Dmoll). Most likely, that in Bę minor (Bmoll), Op. 9, No. 1 is intended, since Schenker taught the latter several times. 2 Schenker prepared a facsimile edition of this sonata during the 1920/21 saison. According to his diary, he dictated the commentary between 12 November and 6 December 1920. 3 Either the Toccata and Fugue in D minor for Organ, BWV 565, of which transcriptions for piano existed by Tausig, Busoni, Reger, and others; or the first two movements of the Toccata in D minor for harpsichord, BWV 913. 4 In the notes for Elias's lessons, Elias twice plays "for Miss Kahn": Beethoven Op. 31 No. 3 and Brahms Waltz No. 4; and after the latter there appears the Toccata in D minor, BWV 913. |
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Format† Double underlined |