OJ 10/1, [84] Typewritten letter from Dahms to Schenker, dated March 5, 1924

Dahms thanks Schenker for information about Castiglione. The Deutsche Verlagsanstalt is being difficult. He is again writing for German newspapers. Tonwille 5 has excited him. He quotes a passage from the Musical Courier [which Schenker later quotes in Das Meisterwerk 1]. Ludendorff's exposure of intrigues by the papacy has evoked a strong reaction outside Germany.

OJ 10/3, [174] Handwritten letter from Deutsch to Schenker, dated July 21, 1932

Deutsch advises Schenker on the wording and placement of an advertisement for a private seminar in music theory, to be inaugurated in the autumn of 1932. He notes that Tomay’s invoice for the autography of the Fünf Urlinie-Tafeln was considerably lower than what was originally estimated. He regrets having to decline an invitation to visit Schenker during the summer.