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... Beitrag zur Ornamentik in which he had called for the correcting of a music example and Hertzka argued for the insertion of a separate sheet (Blatt): OC 52/24: August 25, 1908. Mit Recht würde man sagen: Wann schon ein Blatt vorgedruckt wird, warum wird ...
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... Heuberger (1850–1914) was a prominent Viennese music critic. Eusebius Mandyczewski (1857–1929) was for forty years the Archivist at the Gesellschaft der Musikfreunde. Ein Max Graf würde am nächsten Tage mit „Bekanntlich“With the word “bekanntlich” in ...
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... Siegel, Looking at the Urlinie, in Structure and Meaning in Tonal Music, Festschrift in Honor of Carl Schachter, ed. Poundie Burstein and David Gagné (Hillsdale, NY: Pendragon, 2006), pp. 79‒99, esp. 82–86. Die usw.The careted numbers in the sketch ...
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... always had experiences with "musicians" and "artists" that, if they were to be recounted explicitly to you for hours on end, would not be credited by you. All I want is to live long enough ‒ in the world of music ‒ to write a short book the content of ...
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... , that is somewhat more than you originally expected and what I put to Drei Masken Verlag in writing. There would be 28 double-sided Urlinie graphs and seven pages of figures (26 music examples), also two-sided. But I’m saying this only on account of ...
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... as A Student's Guide to Orchestration (London: Novello, 1930), with a dedication to Donald Francis Tovey; a review appeared in The Musical Times, 71 (1930), p. 611. True to his word, Dunn included the extract from Beethovens neunte Sinfonie concerning ...
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... KEINER VOR IHM | HEINRICH SCHENKER | 1868 ‒ 1935" ("Here lies the body of one who perceived the soul of music and communicated its laws, as the great musicians understood them, and as no one before him had done: Heinrich Schenker 1868‒1935") This wording ...
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... Marx at the Vienna Music Academy. Subsequently, Hans Weisse on October 22, 1935 advocated to Jeanette the production of a "shortened edition," at a time when she had declared herself against making any cuts to the work; thus the present letter must ...
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... criticize about my representation and then to have the possibility of hearing the most hidden subtleties in your wonderful piano piece. On June 19, you will have received many congratulations from all and sundry, which ‒ coming from true friends of music who ...
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... April 1 I have to leave my local accommodations. I am not sad about this, since Wasserburg has fulfilled its purpose for me. I need to go back to a big city, where I can find the motivation and opportunity to make music etc. Munich would be the natural ...