-
... 16/. Weisse: Durchsicht der Clavier u. Liedercopien;Probably copies of compositions by Weisse himself. Weisse came to Schenker intially in 1908 as a pupil in composition and theory, to which piano lessons were added only after 1912. Perhaps Schenker ...
-
... 20. II. Weisse: Besprechungen über die Lieder zum Konzert.Moriz Violin’s concert, in which songs and piano pieces by Weisse will be performed in public for the first time, is only two days away. For Schenker’s report on the concert performance ...
-
... 17. X. Colbert: Brahms Sonate beschlossen (siehe Analyse).Reference is to the unpublished analysis of the four-movement Brahms Violin-Piano Sonata No. 3 in D minor, Op. 108, which is preserved at OC 34/210–32, 229, 223 one of the longest and most ...
-
... the end; 1. fingering control; many good fingerings of her own. Brahms G minor Piano Quartet; thus back to chamber music and to the plan that I offered already long ago. ...
-
... 2. I. Newlov: SonateNewlov had been working on the Chopin Sonata in B minor, Op. 58, until December 9, 1912, but since then was working on an unidentified Beethoven piano concerto. On January 9 she is again working on the concerto, so “sonata” may ...
-
... . April 3, 1913 Deutsch: First and second movements of the Piano Quartet: entry read out loud; rounded short phrases in the development section. ...
-
... 13.) April 10, 1913 Deutsch: Piano Quartet correction of what she has written about the Finale; after that, performance; has become incomparably more comfortable and lighter. (Chesterton!) ...
-
... 22. XI. Elias: Fuge bis Ende neu; Schumann Quintett, 2. Satz animato;Neither the C minor fugue from Well-tempered Clavier I nor the Schumann piano quintet were new to Elias. Perhaps another fugue is intended. Händel Var. 1–5, sehr gut. November 22 ...
-
... of a composition that involved piano, perhaps the same piece (diary). February 28, 1914 Elias: Revisited: Handel Variations and a few passages in Oppel. ...
-
... , who is indeed quick-witted but unfortunately suffers from nervous tension." October 8, 1914 Zuckerkandl: Hidden connections in Brahms's Trio, Op. 8; Piano Quintet; Beethoven Op. 111; on rules and exceptions. ...