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... between scale-degrees and voice-leading.] Scale-degrees in development; continuation of the throughbass examples from Albinoni and J. S. Bach; distinction between thoroughbass and continuo. ...
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... , and pp. 316–19 The One-part Accompaniment for the Left Hand. (These are chapters in the section on accompaniment, not thoroughbass, which Elias completed on January 27.) February 3, 1913 Elias: Chapters XXII and XXIII. ...
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... 2, 1913 Weisse: Fifth species; few exercises; something on thoroughbass. ...
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... . Norton; London: Cassell, 1949; London: Eulenburg, 1974), pp. 226‒33, "The Six-Four Chord." October 25, 1913 Kahn: Revisited: Handel and Paganini Variations repeated; a few things from thoroughbass concerning the 6/4 vertical. ...
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... preserved at OJ 25/1. No. 2 is “Ich steh an deiner Krippen hier” (BWV 469). als Grundlage eigener Arbeit. Brahms Studien über Oktaven u. Quinten gezeigt. December 29, 1913 Elias: Thoroughbass, Roth No. 2 as foundation for his own work. Brahms‘s studies in ...
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... and about Op. 101. Thoroughbass: 6/3vertical chord doublings. ...
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... thoroughbass 6/3vertical. ...
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... . 222–25 = Chapters IV–V; pp. 226–30 = §§1–15 of Chapter VI, “The Six-Four Chord.” — Schenker misuses “Kapitel” here. He should have used “Abschnitt” (section). Certain chapters are subdivided into two sections. February 26, 1914 Weisse: Thoroughbass ...
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... topics; about the fugue; continuation of thoroughbass; allayment of his anxieties; communication of what in every respect is Adler’s shifty attitude in his seminar. ...
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... Schubert's "Ihr Bild" as an example; a few initial words on thoroughbass; a few initial words on fugue; Mozart: Sonata in A minor. ...