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... variety in the thematic material, the lack of exposition, no counter-theme – Kernel no more than four or five notes. ...
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... 27. Weisse: aus meinen Erläuterungen zu op. 109 einiges vorgelesen; über Durchführungspläne, thematisches u. tonartliches. June 27, 1913 Weisse: Several passages read out loud from my elucidations of Op. 109; about developmental schemes, thematic ...
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... ; especially in the last movement newly found more intensive evidence for thematic relationships. Two-voiced counterpoint completed. Bruckner's Ninth Symphony, first movement to the end. ...
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... wiederholt. Für Schüler auch Bach: Präludium Cm. ‒ January-February 1916: Colbert: Brahms Waltz ended without deeper study. Brahms F minor Quintet likewise with only a fleeting glance, but always observing thematic connections. ‒ Beethoven: C minor Variations ...
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... Rückmodulationen. October 19, 1912 Elias: Variation 5; correction of the articulation of the D major Prelude; Chopin’s unique articulation as a consequence of the homophony. The lack of thematic material leads to indifferentism of articulation. Especially ...
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... when one continuously has to hear the words "brilliant master" in one's ears. The thematic material makes a veritably sad impression. Please write soon to him who greets you warmly, Walter Dahms upside down I am gradually beginning to recover! ...
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Diary entry for 1927-02-07
... walk the two streets a second time! Radio: the Dresden String Quartet play Respighi's Quartet "in the Dorian mode" – an unworthy bluff of an incompetent! Moreover, not only the thematic material but also the tonality in the most inflexible monotony. ...
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... do not yet achieve the delineation found in C. P. E. Bach and later composers. On the nature of thematic material in Scarlatti in contrast to later ones; (see Kleine Bibliothek!) from Brahms’s Piano Quartet in C minor, from the first section and the ...
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Diary entry for 1916-03-05
... piano; completely unpoetic playing, without regard to differences among the beats and the rhetorical accents. The performance of Leonore Overture No. 3 failed in the crucial places, where the thematic material is deeply embedded and where even the ...
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... meaning of the slurs at an earlier time, failing to attend to their far-reaching effect and motivic importance! Now it has suddenly become clear to me that I was always more or less a stranger to my very own thematic constructions, indeed that I even did ...