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... -page and Foreword are however in both German and English, and the titles of the compositions and the (sparse) annotations to the graphs are exclusively in German. Concept and Preparation The idea of a set of analyses without commentary probably arose during ...
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... analysis of Reger's Variations and Fugue, Op. 81 turns Schenker's analytical motivation on its head: rather than demonstrating compositional mastery and the secret workings of genius it exposes poor technique and formal confusion. In its polemical purpose ...
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... Second half-volume of Schenker's Kontrapunkt . Subtitled Drei- und Mehrstimmiger Satz; Übergänge zum Freien Satz (Three- and More-voiced Counterpoint; Bridges to Free Composition), it was vol. II/2 of his series Neue Musikalische Theorien und ...
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... Kontrapunkt. Around 1907-09, Schenker planned a volume entitled Niedergang der Kompositionskunst [Decline of the Art of Composition] as vol. III, but that work was not published in Schenker's lifetime. ...
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... in Berlin in November 1903. Four-hands Piano Version (1899) The work had a number of different titles at the compositional stage, including: "Dances or Suite on Jewish Folksongs" (Tänze oder Suite nach jüdischen Volksweisen), "Hebrew Dances ...
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... essay "Von der Natur der Kunstgesetze überhaupt" (On the Nature of Artistic Laws in General), written in Jeanette's hand on 44 narrow strips of paper, and numerous notes on individual compositions. No publication of these materials has been attempted ...
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... Cantus Firmus and Two-voice Counterpoint, published by J. G. Cotta of Stuttgart in 1910, the second, subtitled Three- and More-voice Counterpoint; Bridges to Free Composition, by Universal Edition of Vienna in 1922. Kontrapunkt 1 Bibliographical Data ...
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... of formal analysis, textual criticism, survey of previous editions, performance practice and performing technique, concluding with subsections on non legato, dynamics, and fingering, all of which seek to foster an understanding of the "true content ...
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... Unpublished work by Schenker, completed around 1907. Content Its full provisional title is "Über den Niedergang der Kompositionskunst: eine technisch-kritische Untersuchung" ("The Decline of the Art of Composition: A Technical-Critical Study"). The ...
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... remained a typescript entitled "Über den Niedergang der Kompositionskunst: eine technisch-kritische Untersuchung" ("The Decline of the Art of Composition: A Technical-critical Study"). Proof-correcting began in the summer of 1905 and continued into 1906 ...