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OJ 6/3, [6] - Handwritten envelope from Schenker to Moriz Violin, postmarked May 8, 1899, morning
[envelope:] {recto} ⇧ Herrn Floriz Violin 1 [musical notation in Schenker's hand] ![]() VI. Gumpendorferstr. 124 [postmark:] || WIEN 3/3 | 49 | 8. 5. 99 | 6–7 V || © Transcription Ian Bent, 2022 |
[envelope:] {recto} ⇧ Mr. Floriz Violin 1 [musical notation in Schenker's hand] ![]() [Vienna] VI, Gumpendorferstrasse 124 [postmark:] || VIENNA 3/3 | 49 | 8. 5. 99 | 6–7 a.m. || © Translation Ian Bent, 2022 |
[envelope:] {recto} ⇧ Herrn Floriz Violin 1 [musical notation in Schenker's hand] ![]() VI. Gumpendorferstr. 124 [postmark:] || WIEN 3/3 | 49 | 8. 5. 99 | 6–7 V || © Transcription Ian Bent, 2022 |
[envelope:] {recto} ⇧ Mr. Floriz Violin 1 [musical notation in Schenker's hand] ![]() [Vienna] VI, Gumpendorferstrasse 124 [postmark:] || VIENNA 3/3 | 49 | 8. 5. 99 | 6–7 a.m. || © Translation Ian Bent, 2022 |
Footnotes1 This is probably another phrase from a piece of music – unidentified – quoted on the verso of the calling card OJ 6/3, [3], May 22, 1897. Its placement here on the line that would normally contain the designation “Komponist” (“Composer”) or “Tonkünstler” (“Musician”) suggests that the composer was Violin himself. |
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Commentary
Digital version created: 2022-09-12 |