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13. Mai 1933 Leicht bedeckt.
— Einladung zum Empfang beim Unterrichtsministerium am 18. d. 5h. — Die Karte 1 für Lie-Liechen kommt (16.). — Von v. Cube (Br.OJ 9/34, [37]): verteidigt seine Ć ! 2 — An das Ministerium (Br.): Dank, werde erscheinen. — Nach der Jause in der Stadt: Postweg. — Eine Partie Patiençe in einer Lege! — Alice Ehlers spielt auf dem Cembalo „alte Musik“ (Rf. –). © Transcription Marko Deisinger. |
May 13, 1933, partly cloudy.
— Invitation to a reception at the Ministry for Education on the 18th of the month at 5 o’clock. — The ticket 1 for Lie-Liechen arrives (for the 16th). — From Cube (letterOJ 9/34, [37]): defends his Ć ! 2 — To the Ministry (letter): thanks; I will attend. — After teatime, in the city: trip to the post office. — A game of solitaire completed in one round! — Alice Ehlers plays "ancient music" on the harpsichord (radio –). © Translation William Drabkin. |
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13. Mai 1933 Leicht bedeckt.
— Einladung zum Empfang beim Unterrichtsministerium am 18. d. 5h. — Die Karte 1 für Lie-Liechen kommt (16.). — Von v. Cube (Br.OJ 9/34, [37]): verteidigt seine Ć ! 2 — An das Ministerium (Br.): Dank, werde erscheinen. — Nach der Jause in der Stadt: Postweg. — Eine Partie Patiençe in einer Lege! — Alice Ehlers spielt auf dem Cembalo „alte Musik“ (Rf. –). © Transcription Marko Deisinger. |
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May 13, 1933, partly cloudy.
— Invitation to a reception at the Ministry for Education on the 18th of the month at 5 o’clock. — The ticket 1 for Lie-Liechen arrives (for the 16th). — From Cube (letterOJ 9/34, [37]): defends his Ć ! 2 — To the Ministry (letter): thanks; I will attend. — After teatime, in the city: trip to the post office. — A game of solitaire completed in one round! — Alice Ehlers plays "ancient music" on the harpsichord (radio –). © Translation William Drabkin. |
Footnotes1 Invitation to the Johannes Brahms Festival, Vienna, May 16–21, 1933, organized by the German Brahms Society and the Society of the Friends of Music in Vienna; see the diary entry from the previous day. 2 The analysis of the first-movement theme from Beethoven’s Sonata in A flat, Op. 26; see the diary entry for May 4, 1933, note 2. |