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10. Schön.

Saphir von 10–¾11h: erzählt von Hofrat Schmidt als unbedingten Verehrer, „nur Einer“ usw. – für das Klavier verlangt er S. 1500. — An Deutsch (K.): die Themen sind gut – über das Gespräch mit Schmid, 1 Brief von v. H., Besuch von Kalmus. — An Kalmus (K.): von GoosOppel ist abzusehen – welche Nummer hat der Tonwille? — An Kalmus (Br.): die Binde der „Eroica“ u. meine Antwort an Brockhaus u. Herder zur Findung eines Schlagwortes. — Von 5–¼8h Pollak u. Schwester: zeige das Manuscript, lese u. spiele vor. — Rf. Lamond: Schumanns Klavierkonzert, Schmidt: IV. Sinfonie. —{3890}

© Transcription Marko Deisinger.

10, fair weather.

Saphir from 10 to 10:45: speaks about Counselor Schmidt as an unconditional adulator, "[there is] only one," etc. – for the piano, he asks for 1,500 shillings. — To Deutsch (postcard): the topics are good – concerning the conversation with Schmid, 1 Hoboken’s letter, Kalmus’s visit. — To Kalmus (postcard): pay no attention to GoosOppel – what is the [catalog] number for Der Tonwille ? — To Kalmus (letter): the binding of the " Eroica ," and my reply to Brockhaus and Herder as a way of coming up with a catchword. — From 5 o’clock to 7:15, Pollak and his sister: I show them the manuscript, read aloud and play. — Radio, Lamond: Schumann’s Piano Concerto, Schmidt’s Fourth Symphony. —{3890}

© Translation William Drabkin.

10. Schön.

Saphir von 10–¾11h: erzählt von Hofrat Schmidt als unbedingten Verehrer, „nur Einer“ usw. – für das Klavier verlangt er S. 1500. — An Deutsch (K.): die Themen sind gut – über das Gespräch mit Schmid, 1 Brief von v. H., Besuch von Kalmus. — An Kalmus (K.): von GoosOppel ist abzusehen – welche Nummer hat der Tonwille? — An Kalmus (Br.): die Binde der „Eroica“ u. meine Antwort an Brockhaus u. Herder zur Findung eines Schlagwortes. — Von 5–¼8h Pollak u. Schwester: zeige das Manuscript, lese u. spiele vor. — Rf. Lamond: Schumanns Klavierkonzert, Schmidt: IV. Sinfonie. —{3890}

© Transcription Marko Deisinger.

10, fair weather.

Saphir from 10 to 10:45: speaks about Counselor Schmidt as an unconditional adulator, "[there is] only one," etc. – for the piano, he asks for 1,500 shillings. — To Deutsch (postcard): the topics are good – concerning the conversation with Schmid, 1 Hoboken’s letter, Kalmus’s visit. — To Kalmus (postcard): pay no attention to GoosOppel – what is the [catalog] number for Der Tonwille ? — To Kalmus (letter): the binding of the " Eroica ," and my reply to Brockhaus and Herder as a way of coming up with a catchword. — From 5 o’clock to 7:15, Pollak and his sister: I show them the manuscript, read aloud and play. — Radio, Lamond: Schumann’s Piano Concerto, Schmidt’s Fourth Symphony. —{3890}

© Translation William Drabkin.

Footnotes

1 Possibly Heinrich Schmid (1885–1949), a pupil of Otto Wagner, who designed numerous buildings for the city of Vienna during the interwar period. The conversation mentioned here is referred to in the diary entry for January 6.