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18.
Newlov :

Chopin Amoll Etude, besonders Mittelstück in Konstruktion, Harmonie u. Fingersatz aufs Genaueste erklärt. [Die Verschiedenheit der Stimmführung des Basses bei 1 Fdur, Gmoll u. Amoll (Mißverständnis Galston).] HSch+. 2

© Transcription Robert Kosovsky, 2007


[January] 18, [1912]
Newlov :

Chopin A minor Etude, especially the middle section explained with the greatest possible precision as to construction, harmony, and fingering. [The distinction of the voice-leading in the bass at 1 F major, G minor, and A minor (Galston’s misunderstanding).] HSch+ 2

© Translation Ian Bent, 2021


18.
Newlov :

Chopin Amoll Etude, besonders Mittelstück in Konstruktion, Harmonie u. Fingersatz aufs Genaueste erklärt. [Die Verschiedenheit der Stimmführung des Basses bei 1 Fdur, Gmoll u. Amoll (Mißverständnis Galston).] HSch+. 2

© Transcription Robert Kosovsky, 2007


[January] 18, [1912]
Newlov :

Chopin A minor Etude, especially the middle section explained with the greatest possible precision as to construction, harmony, and fingering. [The distinction of the voice-leading in the bass at 1 F major, G minor, and A minor (Galston’s misunderstanding).] HSch+ 2

© Translation Ian Bent, 2021

Footnotes

1 “vor” overwritten as “bei”? Heinrich has inserted an exclamation mark beside this in the left margin.

2 For explanation, see January 17, Pairamall, footnote 2.