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18.
Newlov
†
:
Chopin
Amoll Etude, besonders
Mittelstück in Konstruktion,
Harmonie u. Fingersatz aufs Genaueste
erklärt. [Die Verschiedenheit der
Stimmführung des Basses bei
1
Fdur, Gmoll u.
Amoll (Mißverständnis Galston).]
⇧ HSch+.
2
© Transcription Robert Kosovsky, 2007
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[January] 18,
[1912]
Newlov
†
:
Chopin
A minor
Etude, especially the middle section
explained with the greatest possible precision as to
construction, harmony, and
fingering. [The distinction of
the voice-leading in the bass at
1
F major, G minor, and A minor (Galston’s misunderstanding).]
⇧ HSch+
2
© Translation Ian Bent, 2021
|
18.
Newlov
†
:
Chopin
Amoll Etude, besonders
Mittelstück in Konstruktion,
Harmonie u. Fingersatz aufs Genaueste
erklärt. [Die Verschiedenheit der
Stimmführung des Basses bei
1
Fdur, Gmoll u.
Amoll (Mißverständnis Galston).]
⇧ HSch+.
2
© Transcription Robert Kosovsky, 2007
|
[January] 18,
[1912]
Newlov
†
:
Chopin
A minor
Etude, especially the middle section
explained with the greatest possible precision as to
construction, harmony, and
fingering. [The distinction of
the voice-leading in the bass at
1
F major, G minor, and A minor (Galston’s misunderstanding).]
⇧ HSch+
2
© Translation Ian Bent, 2021
|
Footnotes
1 “vor” overwritten as “bei”? Heinrich has inserted
an exclamation mark beside this in the left margin.
2 For explanation, see January 17, Pairamall, footnote
2.
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